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	<description>Art, politics and counterculture on the transatlantic axis during the Cold War</description>
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		<title>By Whose Rules? Contemporary Art and Geography of Art Historic Significance</title>
		<link>https://modernidadesdescentralizadas.com/biblioteca/by-whose-rules-contemporary-art-and-geography-of-art-historic-significance-2/</link>
		
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		<pubDate>Thu, 10 Nov 2016 15:35:04 +0000</pubDate>
				<guid isPermaLink="false">https://modernidadesdescentralizadas.com/?post_type=ctb_article&#038;p=2603</guid>

					<description><![CDATA[<p>Brzyski provides a useful methodological approach for those analyzing the definitions and reception of non-Western and Eastern European Cold War and contemporary art. Her discussion of conventional Western interpretations of Chinese contemporary art is particularly productive since she points to blind spots in curatorial and scholarly approaches, among them: the dissonance between Eurocentric temporalities of &#8230; <a href="https://modernidadesdescentralizadas.com/biblioteca/by-whose-rules-contemporary-art-and-geography-of-art-historic-significance-2/" class="more-link">Continue reading <span class="screen-reader-text">By Whose Rules? Contemporary Art and Geography of Art Historic Significance</span></a></p>
<p>The entry <a href="https://modernidadesdescentralizadas.com/biblioteca/by-whose-rules-contemporary-art-and-geography-of-art-historic-significance-2/">By Whose Rules? Contemporary Art and Geography of Art Historic Significance</a> was first published on <a href="https://modernidadesdescentralizadas.com/home">Modernidade(s) Descentralizadas</a>.</p>
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