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	<title>Art History archivos - Modernidade(s) Descentralizadas</title>
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	<description>Art, politics and counterculture on the transatlantic axis during the Cold War</description>
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		<title>“Truth, Freedom, Perfection” Alfred Barr’s What Is Modern Painting? As Cold War Rhetoric</title>
		<link>https://modernidadesdescentralizadas.com/biblioteca/truth-freedom-perfection-alfred-barrs-what-is-modern-painting-as-cold-war-rhetoric-2/</link>
		
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		<pubDate>Sat, 14 Jul 2018 15:07:13 +0000</pubDate>
				<guid isPermaLink="false">https://modernidadesdescentralizadas.com/?post_type=ctb_article&#038;p=2597</guid>

					<description><![CDATA[<p>Hills’ essay traces Alfred H. Barr Jr.’s formulation of Abstract Expressionism as the embodiment of US values of freedom and artistic quality during the Cold War. Drawing on the Museum’s archives and Barr’s handbook to the collection “What is Modern Painting?” published in multiple editions and languages, she analyzes this influential guidebook to the collection, &#8230; <a href="https://modernidadesdescentralizadas.com/biblioteca/truth-freedom-perfection-alfred-barrs-what-is-modern-painting-as-cold-war-rhetoric-2/" class="more-link">Continue reading <span class="screen-reader-text">“Truth, Freedom, Perfection” Alfred Barr’s What Is Modern Painting? As Cold War Rhetoric</span></a></p>
<p>The entry <a href="https://modernidadesdescentralizadas.com/biblioteca/truth-freedom-perfection-alfred-barrs-what-is-modern-painting-as-cold-war-rhetoric-2/">“Truth, Freedom, Perfection” Alfred Barr’s What Is Modern Painting? As Cold War Rhetoric</a> was first published on <a href="https://modernidadesdescentralizadas.com/home">Modernidade(s) Descentralizadas</a>.</p>
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		<title>Introduction: Canons and Art History</title>
		<link>https://modernidadesdescentralizadas.com/biblioteca/introduction-canons-and-art-history-2/</link>
		
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		<pubDate>Thu, 10 Nov 2016 15:47:45 +0000</pubDate>
				<guid isPermaLink="false">https://modernidadesdescentralizadas.com/?post_type=ctb_article&#038;p=2611</guid>

					<description><![CDATA[<p>Brzyski’s essay provides a useful framework to analyze the evolution of art historical canons. She argues that scholars need to interrogate the mechanisms through which often unquestioned hierarchies of artistic value are created by art historians and curators. In other words, she calls for the study of “the mechanics of the canonical system: how and &#8230; <a href="https://modernidadesdescentralizadas.com/biblioteca/introduction-canons-and-art-history-2/" class="more-link">Continue reading <span class="screen-reader-text">Introduction: Canons and Art History</span></a></p>
<p>The entry <a href="https://modernidadesdescentralizadas.com/biblioteca/introduction-canons-and-art-history-2/">Introduction: Canons and Art History</a> was first published on <a href="https://modernidadesdescentralizadas.com/home">Modernidade(s) Descentralizadas</a>.</p>
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		<title>By Whose Rules? Contemporary Art and Geography of Art Historic Significance</title>
		<link>https://modernidadesdescentralizadas.com/biblioteca/by-whose-rules-contemporary-art-and-geography-of-art-historic-significance-2/</link>
		
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		<pubDate>Thu, 10 Nov 2016 15:35:04 +0000</pubDate>
				<guid isPermaLink="false">https://modernidadesdescentralizadas.com/?post_type=ctb_article&#038;p=2603</guid>

					<description><![CDATA[<p>Brzyski provides a useful methodological approach for those analyzing the definitions and reception of non-Western and Eastern European Cold War and contemporary art. Her discussion of conventional Western interpretations of Chinese contemporary art is particularly productive since she points to blind spots in curatorial and scholarly approaches, among them: the dissonance between Eurocentric temporalities of &#8230; <a href="https://modernidadesdescentralizadas.com/biblioteca/by-whose-rules-contemporary-art-and-geography-of-art-historic-significance-2/" class="more-link">Continue reading <span class="screen-reader-text">By Whose Rules? Contemporary Art and Geography of Art Historic Significance</span></a></p>
<p>The entry <a href="https://modernidadesdescentralizadas.com/biblioteca/by-whose-rules-contemporary-art-and-geography-of-art-historic-significance-2/">By Whose Rules? Contemporary Art and Geography of Art Historic Significance</a> was first published on <a href="https://modernidadesdescentralizadas.com/home">Modernidade(s) Descentralizadas</a>.</p>
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