Until March 4th, the exhibition curated by Olga Fernández López at CAAC Sevilla presents artists who try to visibilize some of the silences, misunderstandings or undeveloped possibilities of writings from the past, opening a reflection on exhibitions of the 20th century as devices for producing subjectivities, experiences and discourses.
The exhibition on view from June to October 2017, curated by Juan Albarrán seeks to recontextualise Trillo’s early works within the framework of the history of recent photography and against its relationship with 1980 subcultures.
Until August 15, 2016, the Museo Nacional Centro de Arte Reina Sofía in Madrid presents an important exhibition of Wifredo Lam (Sagua La Grande, 1902 – Paris, 1982), covering multiple aspects of the trajectory of the Cuban artist. The exhibition catalogue includes an essay by Paula Barreiro López.
L’œil impératif analyses the political, economic and representative mechanisms that serve to perpetuate the effects of colonialism and neocolonialism in the former Spanish and French protectorates in North Africa.
In relation to the exhibition L’oeil impératif by artist Maria Ruido, this round table discussion proposes a transversal reflection on the role that the visual regime acquires in colonial and neo-colonial processes, perceived not only from the perspective of economic exploitation or political interventionism, but also as a hierarchy of thought or an epistemological hegemony. … Continue reading Colonialism, coloniality and visual sovereignty(/ies)