{"id":344,"date":"2022-06-22T20:29:33","date_gmt":"2022-06-22T20:29:33","guid":{"rendered":"https:\/\/modernidadesdescentralizadas.com\/conceptos\/?post_type=bibliography&#038;p=344"},"modified":"2022-06-22T22:18:18","modified_gmt":"2022-06-22T22:18:18","slug":"latinoamericanisms","status":"publish","type":"bibliography","link":"https:\/\/modernidadesdescentralizadas.com\/conceptos\/en\/bibliography\/latinoamericanisms\/","title":{"rendered":"Latin Americanism"},"content":{"rendered":"\n<p><strong>Acha, J.<\/strong> (1979), <em>Arte y sociedad: Latinoam\u00e9rica. El sistema de producci\u00f3n<\/em>, Fondo de Cultura Econ\u00f3mica, M\u00e9xico.<\/p>\n\n\n\n<p><strong>Bay\u00f3n, D. <\/strong>(1975) (relator), <strong>Am\u00e9rica Latina en sus artes<\/strong> (Serie Am\u00e9rica latina en su cultura), UNESCO\/Siglo XXI, M\u00e9xico.<\/p>\n\n\n\n<p><strong>Cancel, L.<\/strong> (1988) (editor), <strong>The Latin American Spirit: Art and Artists in the United States<\/strong>, 1920-1970, Bronx Museum of the Arts, Nueva York.<\/p>\n\n\n\n<p><strong>Catlin, S.L.<\/strong> (1966), <em>Art of Latin America since independence<\/em>, Yale University, New Haven.<\/p>\n\n\n\n<p><strong>Eder, R.<\/strong> (2009 [1987]), \u00abArte e identidad en Am\u00e9rica latina\u00bb, en <em>AAVV, Bienal de La Habana para leer, compilaci\u00f3n de textos<\/em>, Universitat de Valencia, Valencia, pp. 51-60.<\/p>\n\n\n\n<p><strong>Garc\u00eda Canclini, N. <\/strong>(1977), <em>Arte popular y sociedad en Am\u00e9rica Latina<\/em>, Siglo XXI, M\u00e9xico.<\/p>\n\n\n\n<p><strong>Goldman, S. <\/strong>(1994), <em>Dimensions of the Americas: Art and Social Change in Latin America and the United States<\/em>, University of Chicago Press, Chicago.<\/p>\n\n\n\n<p><strong>Kirstein, L.<\/strong> (1943), <em>The Latin-American collection of the Museum of Modern Art<\/em>, MoMA, Nueva York.<\/p>\n\n\n\n<p><strong>Morais, F.<\/strong> (1979), <em>Artes pla\u0301sticas na Ame\u0301rica Latina: do transe ao transito\u0301rio<\/em>, Civilizac\u0327a\u0303o Brasileira, Rio de Janeiro.<\/p>\n\n\n\n<p><strong>Mosquera, G.<\/strong> (1996),<em> Beyond the fantastic. Contemporary art criticism from Latin America<\/em>, MIT, Cambridge.<\/p>\n\n\n\n<p><strong>Mosquera, G.<\/strong> (2020), <em>Arte desde Am\u00e9rica Latina (y otros pulsos globales)<\/em>, C\u00e1tedra, Madrid.<\/p>\n\n\n\n<p><strong>Ram\u00edrez, M. C., Ybarra Frausto, T. y Olea, H<\/strong>. (eds.) (2012), <em>Resisting Categories: Latin American and\/or Latino?<\/em> Critical Documents of 20th-Century Latin American and Latino Art series, International Center for the Arts of the Americas at the Museum of Fine Arts, Houston.<\/p>\n\n\n\n<p><strong>Richard, N. <\/strong>(1998), \u00abIntersectando Latinoam\u00e9rica con el Latinoamericanismo: Discurso acad\u00e9mico y Critica Cultural\u00bb, en S. Castro G\u00f3mez y E. Mendieta (eds.), <em>Teor\u00edas sin disciplina (latinoamericanismo, poscolonialidad y globalizacio\u0301n en debate)<\/em>, Miguel Angel Porr\u00faa, M\u00e9xico.<\/p>\n\n\n\n<p><strong>Traba, M. <\/strong>(1973), <em>Dos d\u00e9cadas vulnerables en las artes pl\u00e1sticas latinoamericanas, 1950-1970<\/em>, Siglo XXI, M\u00e9xico.<\/p>\n","protected":false},"template":"","class_list":["post-344","bibliography","type-bibliography","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/modernidadesdescentralizadas.com\/conceptos\/wp-json\/wp\/v2\/bibliography\/344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/modernidadesdescentralizadas.com\/conceptos\/wp-json\/wp\/v2\/bibliography"}],"about":[{"href":"https:\/\/modernidadesdescentralizadas.com\/conceptos\/wp-json\/wp\/v2\/types\/bibliography"}],"wp:attachment":[{"href":"https:\/\/modernidadesdescentralizadas.com\/conceptos\/wp-json\/wp\/v2\/media?parent=344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}