{"id":356,"date":"2022-06-22T22:13:51","date_gmt":"2022-06-22T22:13:51","guid":{"rendered":"https:\/\/modernidadesdescentralizadas.com\/conceptos\/?post_type=bibliography&#038;p=356"},"modified":"2022-06-22T22:13:52","modified_gmt":"2022-06-22T22:13:52","slug":"biennialization","status":"publish","type":"bibliography","link":"https:\/\/modernidadesdescentralizadas.com\/conceptos\/en\/bibliography\/biennialization\/","title":{"rendered":"Biennialization"},"content":{"rendered":"\n<p><strong>Enwezor, O. <\/strong>(2003\/2004), \u00abMega-Exhibitions and the Antinomies of a Transnational Global Form\u00bb, <em>MJ. Manifesta Journal: journal of contemporary curatorship<\/em>, 2, pp. 94-119.<\/p>\n\n\n\n<p><strong>Funcke, B<\/strong>. ed. (2001), <em>6th Carribean biennial<\/em>, Dijon, Les presses du r\u00e9el<\/p>\n\n\n\n<p><strong>Gardner, A., Green C.<\/strong> (2017), \u00abPost-North? Documenta 11 and the Challenges of the \u201cGlobal Exhibition\u201d \u00bb, <em>OnCurating<\/em>, 33, pp. 109-121.<\/p>\n\n\n\n<p><strong>Gardner, A., Green, C.<\/strong>, eds., (2016), <em>Biennials, Triennials and documenta : the exhibitions that created contemporary art<\/em>, JohnWiley &amp; Sons Inc., Hoboken.<\/p>\n\n\n\n<p><strong>Her\u00e1ndez, M. \u00c1.<\/strong> (2014), \u00abLas bienales como obra de arte total\u00bb, <em>Revista de Occidente<\/em>, 393, pp. 11-30.<\/p>\n\n\n\n<p><strong>Jim\u00e9nez, C.<\/strong> (2004), \u00abLa Bienal de Berl\u00edn: un modelo de antibienalizaci\u00f3n? \u00bb, <em>ArtNeux<\/em>, 55.<\/p>\n\n\n\n<p><strong>Marchart, O.<\/strong> (2008), <em>Hegemonie im Kustfeld. Die documenta-Ausstellungen dX, D11, d 12 und die Politiki der Biennalisierung<\/em>, n.b.k. Diskurs, Band 2 (Hg. Mairus Babias), Colonia, pp. 7-13.<\/p>\n\n\n\n<p><strong>Mesquita, I.<\/strong> (2001), \u201cBienales, bienales, bienales, bienales, bienales, bienales\u201d, <em>Revista de Occidente<\/em>, 238, pp. 31-36.<\/p>\n\n\n\n<p><strong>Niemojewski, R.<\/strong> (2021), <em>Biennials: The Exhibitions We Love to Hate<\/em>, Lund Humphries, Londres.<\/p>\n\n\n\n<p><strong>Sassatelli, M.<\/strong> (2016), \u00abThe biennalization of the art worlds. The culture of cultural events\u00bb en Laurie Hanquinet, Mike Savage, eds., <em>Routledge International Handbokk of the Sociology of Art and Culture<\/em>, Toutledge, Londres \/ Nueva York, pp. 227.<\/p>\n\n\n\n<p><strong>Sheik, S.<\/strong> (2011), \u00ab Qu\u00e9 es la bienalizaci\u00f3n? Notas sobre la mediaci\u00f3n cultural de las finanzas globales y la producci\u00f3n del capital cultural global\u00bb, <em>Humboldt<\/em>, 156, pp. 41 &#8211; 44.<\/p>\n","protected":false},"template":"","class_list":["post-356","bibliography","type-bibliography","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/modernidadesdescentralizadas.com\/conceptos\/wp-json\/wp\/v2\/bibliography\/356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/modernidadesdescentralizadas.com\/conceptos\/wp-json\/wp\/v2\/bibliography"}],"about":[{"href":"https:\/\/modernidadesdescentralizadas.com\/conceptos\/wp-json\/wp\/v2\/types\/bibliography"}],"wp:attachment":[{"href":"https:\/\/modernidadesdescentralizadas.com\/conceptos\/wp-json\/wp\/v2\/media?parent=356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}