{"id":244,"date":"2022-05-04T13:20:46","date_gmt":"2022-05-04T13:20:46","guid":{"rendered":"https:\/\/modernidadesdescentralizadas.com\/revolucion\/?page_id=244"},"modified":"2022-05-04T13:23:56","modified_gmt":"2022-05-04T13:23:56","slug":"specifications-techniques","status":"publish","type":"page","link":"https:\/\/modernidadesdescentralizadas.com\/revolucion\/fr\/specifications-techniques\/","title":{"rendered":"Sp\u00e9cifications techniques"},"content":{"rendered":"\n<div class=\"wp-block-group modesrevo-sheet\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h3 class=\"wp-block-heading\">La r\u00e9volution (est) probable<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">est un essai visuel r\u00e9alis\u00e9 par Lee Douglas, Mar\u00eda Ruido et Paula Barreiro L\u00f3pez.<\/h4>\n\n\n\n<p>2022 \/ 30 minutes \/ Vid\u00e9o HD et 16mm. transf\u00e9r\u00e9<\/p>\n\n\n\n<p><strong>Sc\u00e9nario et r\u00e9alisation:<\/strong> Lee Douglas, Mar\u00eda Ruido et Paula Barreiro L\u00f3pez<\/p>\n\n\n\n<p><strong>Montage et post-production d&#8217;images:<\/strong> Enrique Pi\u00f1uel \/ Playtime Audiovisuales<\/p>\n\n\n\n<p><strong>Cin\u00e9matographie:<\/strong> Paulo Catrica<\/p>\n\n\n\n<p><strong>Assistant cam\u00e9ra:<\/strong> Lee Douglas<\/p>\n\n\n\n<p><strong>Musique:<\/strong><br>Gr\u00e2ndola Vila Morena (1971) par Jos\u00e9 Afonso<br>The Revolution Will Not Be Televised (1971) par Gil Scott-Heron<br>Liberdade (1974) S\u00e9rgio Godinho<\/p>\n\n\n\n<p><strong>Post-production sonore:<\/strong> Ricardo Guerreiro<\/p>\n\n\n\n<p>Avec des extraits de : Bom Povo Portugu\u00eas (1980) de Rui Sim\u00f5es (production Rui Sim\u00f5es et Cooperativa Virver)<br>Deus, Patria, Autoridade (1975) de Rui Sim\u00f5es<\/p>\n\n\n\n<p>Nascer, Viver, Morrer em Paradinha, Moimento da Beira (1975) de Jos\u00e9 Nascimento et Cinequipa<\/p>\n\n\n\n<p>Caminhos da Liberdade (1975) par Cinequipa<\/p>\n\n\n\n<p>A Luta do Povo : Alfabetiza\u00e7\u00e3o em Santa Catarina (1976) par Grupo Zero et coordonn\u00e9 par Solveig Nordlund<\/p>\n\n\n\n<p>Gestos e Fragmentos (Gestes et fragments) (1982) par Alberto Seixas Santos<\/p>\n\n\n\n<p>A Lei de Terra (1977) par Alberto Seixas Santos, Solveig Nordlund et Grupo Zero<\/p>\n\n\n\n<p>A Linha Vermelha (2011) de Jos\u00e9 Filipe Costa (avec des fragments de Torre Bela (1975) de Thomas Harlan)<\/p>\n\n\n\n<p>Entretien avec Agust\u00edn Garc\u00eda Calvo et Isabel Escudero \u00e0 la Puerta del Sol (2011) par La Noche Tuerta<\/p>\n\n\n\n<p><strong>Sous-titres:<\/strong> Enrique Pi\u00f1uel et Elo\u00efse Mahieux<\/p>\n\n\n\n<p>Traduction des sous-titres (sous-titres disponibles en espagnol, portugais, anglais et fran\u00e7ais) : Filipa Falcato, Lee Douglas et Clara Padovani.<\/p>\n\n\n\n<p><strong>Production:<\/strong> Projets de recherche \u00abModernit\u00e9(s) d\u00e9centralis\u00e9e(s) : art, politique et contre-culture dans l&#8217;axe transatlantique pendant la guerre froide (2\u00e8me partie)\u00bb (HAR2017-82755-P)<\/p>\n<\/div><\/div>\n\n\n\n<p>This film is part of a project that has received funding from the European Union\u2019s Horizon 2020 research and innovation program under the Marie-Slowdowska-Curie grant agreement No 895197 which supports the project \u201cMilitant Imaginaries, Colonial Memories: The Visual and Material Traces of Revolution and Return in Contemporary Portugal\u201d y<\/p>\n\n\n\n<p>R\u00e9sistance(s) Partisane(s): Culture visuelle, imaginaires collectifs et m\u00e9moire r\u00e9volutionnaire\/Partisan Resistance(s): Visual culture, collective imagination and revolutionary memory\u201d (Initiative d\u2019excellence de l\u2019Universit\u00e9 Grenoble Alpes, ANR-15-IDEX-02).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La r\u00e9volution (est) probable est un essai visuel r\u00e9alis\u00e9 par Lee Douglas, Mar\u00eda Ruido et Paula Barreiro L\u00f3pez. 2022 \/ [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":160,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-244","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/modernidadesdescentralizadas.com\/revolucion\/wp-json\/wp\/v2\/pages\/244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/modernidadesdescentralizadas.com\/revolucion\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/modernidadesdescentralizadas.com\/revolucion\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/modernidadesdescentralizadas.com\/revolucion\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/modernidadesdescentralizadas.com\/revolucion\/wp-json\/wp\/v2\/comments?post=244"}],"version-history":[{"count":2,"href":"https:\/\/modernidadesdescentralizadas.com\/revolucion\/wp-json\/wp\/v2\/pages\/244\/revisions"}],"predecessor-version":[{"id":248,"href":"https:\/\/modernidadesdescentralizadas.com\/revolucion\/wp-json\/wp\/v2\/pages\/244\/revisions\/248"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/modernidadesdescentralizadas.com\/revolucion\/wp-json\/wp\/v2\/media\/160"}],"wp:attachment":[{"href":"https:\/\/modernidadesdescentralizadas.com\/revolucion\/wp-json\/wp\/v2\/media?parent=244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}