{"id":58,"date":"2022-04-20T13:46:30","date_gmt":"2022-04-20T13:46:30","guid":{"rendered":"http:\/\/modes-revolucion\/?page_id=58"},"modified":"2022-06-07T11:24:37","modified_gmt":"2022-06-07T11:24:37","slug":"ficha-tecnica","status":"publish","type":"page","link":"https:\/\/modernidadesdescentralizadas.com\/revolucion\/es\/ficha-tecnica\/","title":{"rendered":"Ficha t\u00e9cnica"},"content":{"rendered":"\n<div class=\"wp-block-group modesrevo-sheet\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h3 class=\"wp-block-heading\">La revoluci\u00f3n (es) probable<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">es un ensayo visual de Lee Douglas, Mar\u00eda Ruido y Paula Barreiro L\u00f3pez.<\/h4>\n\n\n\n<p>2022 \/ 30mints \/ V\u00eddeo HD y 16mm. transferido<\/p>\n\n\n\n<p><strong>Gui\u00f3n y Direcci\u00f3n:<\/strong> Lee Douglas, Mar\u00eda Ruido y Paula Barreiro L\u00f3pez<\/p>\n\n\n\n<p><strong>Montaje y post-producci\u00f3n imagen:<\/strong> Enrique Pi\u00f1uel \/ Playtime Audiovisuales<\/p>\n\n\n\n<p><strong>Direcci\u00f3n de Fotograf\u00eda: <\/strong>Paulo Catrica<\/p>\n\n\n\n<p><strong>Asistente C\u00e1mara:<\/strong> Lee Douglas<\/p>\n\n\n\n<p><strong>M\u00fasica:<\/strong><br>Gr\u00e2ndola Vila Morena (1971) de Jos\u00e9 Afonso<br>The Revolution Will Not Be Televised (1971) de Gil Scott-Heron<br>Liberdade (1974) S\u00e9rgio Godinho<\/p>\n\n\n\n<p><strong>Post-producci\u00f3n sonido:<\/strong> Ricardo Guerreiro<\/p>\n\n\n\n<p><strong>Con fragmentos de: <\/strong><\/p>\n\n\n\n<p>Bom Povo Portugu\u00eas (1980) de Rui Sim\u00f5es (producci\u00f3n Rui Sim\u00f5es y Cooperativa Virver)<\/p>\n\n\n\n<p>Deus, Patria, Autoridade (1975) de Rui Sim\u00f5es<\/p>\n\n\n\n<p>Nascer, Viver, Morrer em Paradinha, Moimento da Beira (1975) de Jos\u00e9 Nascimento y Cinequipa<\/p>\n\n\n\n<p>Caminhos da Liberdade (1975) de Cinequipa<\/p>\n\n\n\n<p>A Luta do Povo: Alfabetiza\u00e7\u00e3o em Santa Catarina (1976) de Grupo Zero y coordenada por Solveig Nordlund<\/p>\n\n\n\n<p>Gestos e Fragmentos (1982) de Alberto Seixas Santos<\/p>\n\n\n\n<p>A Lei de Terra (1977) de Alberto Seixas Santos, Solveig Nordlund y Grupo Zero<\/p>\n\n\n\n<p>A Linha Vermelha (2011) de Jos\u00e9 Filipe Costa (con fragmentos de Torre Bela (1975) de Thomas Harlan)<\/p>\n\n\n\n<p>Entrevista a Agust\u00edn Garc\u00eda Calvo e Isabel Escudero en la Puerta del Sol (2011) de La Noche Tuerta<\/p>\n\n\n\n<p><strong>Subtitulados:<\/strong> Enrique Pi\u00f1uel y Eloi\u0308se Mahieux<\/p>\n\n\n\n<p><strong>Traducciones de subtitulados (subt\u00edtulados disponibles en espa\u00f1ol, portugu\u00e9s, ingl\u00e9s y franc\u00e9s): <\/strong>Filipa Falcato, Lee Douglas y Clara Padovani.<\/p>\n\n\n\n<p><strong>Producci\u00f3n:<\/strong> Proyectos de investigaci\u00f3n \u201cModernidad(es) Descentralizada(s): arte, pol\u00edtica y contracultura en el eje transatl\u00e1ntico durante la Guerra Fr\u00eda (Parte 2)\u201d (HAR2017-82755-P)<\/p>\n<\/div><\/div>\n\n\n\n<p>This film is part of a project that has received funding from the European Union\u2019s Horizon 2020 research and innovation program under the Marie-Slowdowska-Curie grant agreement No 895197 which supports the project \u201cMilitant Imaginaries, Colonial Memories: The Visual and Material Traces of Revolution and Return in Contemporary Portugal\u201d y<\/p>\n\n\n\n<p>R\u00e9sistance(s) Partisane(s): Culture visuelle, imaginaires collectifs et m\u00e9moire r\u00e9volutionnaire\/Partisan Resistance(s): Visual culture, collective imagination and revolutionary memory\u201d (Initiative d\u2019excellence de l\u2019Universit\u00e9 Grenoble Alpes, ANR-15-IDEX-02).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La revoluci\u00f3n (es) probable es un ensayo visual de Lee Douglas, Mar\u00eda Ruido y Paula Barreiro L\u00f3pez. 2022 \/ 30mints [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":160,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-58","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/modernidadesdescentralizadas.com\/revolucion\/wp-json\/wp\/v2\/pages\/58","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/modernidadesdescentralizadas.com\/revolucion\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/modernidadesdescentralizadas.com\/revolucion\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/modernidadesdescentralizadas.com\/revolucion\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/modernidadesdescentralizadas.com\/revolucion\/wp-json\/wp\/v2\/comments?post=58"}],"version-history":[{"count":2,"href":"https:\/\/modernidadesdescentralizadas.com\/revolucion\/wp-json\/wp\/v2\/pages\/58\/revisions"}],"predecessor-version":[{"id":342,"href":"https:\/\/modernidadesdescentralizadas.com\/revolucion\/wp-json\/wp\/v2\/pages\/58\/revisions\/342"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/modernidadesdescentralizadas.com\/revolucion\/wp-json\/wp\/v2\/media\/160"}],"wp:attachment":[{"href":"https:\/\/modernidadesdescentralizadas.com\/revolucion\/wp-json\/wp\/v2\/media?parent=58"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}