Anita Orzes

PhD candidate at Universitat de Barcelona. She researches the curatorial practices in the Venice Biennale and in biennials in Latin America and Caribbean and how the structure of the Venice Biennale mirrors the socio-political and economic changes in the world. She graduated cum laude in Conservation of Cultural Heritage (Ca’ Foscari University of Venice, 2010), and holds a MA in Contemporary Art History and Visual Culture (Complutense University of Madrid, 2011) and a MA in History of Arts (Ca’ Foscari University of Venice, 2014). She has worked at the Venice Biennale, François Pinault Collection at Punta della Dogana (Venice) and at the Friends of the Prado Museum Foundation.