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	<title>Exhibition archivos - Modernidade(s) Descentralizadas</title>
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	<description>Art, politics and counterculture on the transatlantic axis during the Cold War</description>
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		<title>Archival Fever in the Exhibition: Critical Intertextualities, Politics and Display Practices from the Cold War to Global Contemporaneity</title>
		<link>https://modernidadesdescentralizadas.com/actividad/archival-fever-in-the-exhibition-critical-intertextualities-politics-and-display-practices-from-the-cold-war-to-global-contemporaneity/</link>
		
		<dc:creator><![CDATA[MoDe(s)]]></dc:creator>
		<pubDate>Sun, 16 Nov 2025 22:36:03 +0000</pubDate>
				<category><![CDATA[Conferences]]></category>
		<category><![CDATA[Doctoral Program]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Networks and circulations]]></category>
		<guid isPermaLink="false">https://modernidadesdescentralizadas.com/?post_type=actividad&#038;p=8356</guid>

					<description><![CDATA[<p>The symposium "Archival Fever in the Exhibition: Critical Intertextualities, Politics and Display Practices from the Cold War to Global Contemporaneity" (Les Abattoirs / Bibliothèque d’Études Méridionales, December 4-5, 2025) seeks to reflect on exhibitions through the lens of archives and historical records preserved on both sides of the Atlantic.</p>
<p>The entry <a href="https://modernidadesdescentralizadas.com/actividad/archival-fever-in-the-exhibition-critical-intertextualities-politics-and-display-practices-from-the-cold-war-to-global-contemporaneity/">Archival Fever in the Exhibition: Critical Intertextualities, Politics and Display Practices from the Cold War to Global Contemporaneity</a> was first published on <a href="https://modernidadesdescentralizadas.com/home">Modernidade(s) Descentralizadas</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Equipo Comunicación. Antifranquismo, edición, debate (1968-1979)</title>
		<link>https://modernidadesdescentralizadas.com/actividad/equipo-comunicacion-antifranquismo-edicion-debate-1968-1979-2/</link>
		
		<dc:creator><![CDATA[MoDe(s)]]></dc:creator>
		<pubDate>Fri, 18 Oct 2024 14:30:29 +0000</pubDate>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Comunicación]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Universidad Autónoma de Madrid]]></category>
		<guid isPermaLink="false">https://modernidadesdescentralizadas.com/?post_type=actividad&#038;p=8029</guid>

					<description><![CDATA[<p>The exhibition “Equipo Comunicación. Antifranquismo, edición, debate (1968-1979)” ( Sala de exposiciones UAM, October 28 - December 6, 2024) aims to recover the editorial and intellectual activity of Equipo Comunicación, relating it to the movement of non-tenured professors (PNN, profesores no numerarios) of the Autonomous University of Madrid.</p>
<p>The entry <a href="https://modernidadesdescentralizadas.com/actividad/equipo-comunicacion-antifranquismo-edicion-debate-1968-1979-2/">Equipo Comunicación. Antifranquismo, edición, debate (1968-1979)</a> was first published on <a href="https://modernidadesdescentralizadas.com/home">Modernidade(s) Descentralizadas</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Laura Ramírez Palacio &#8211; Vínculos y disociaciones / Porque no hemos visto</title>
		<link>https://modernidadesdescentralizadas.com/laura-ramirez-palacio-vinculos-y-disociaciones-porque-no-hemos-visto-2/</link>
		
		<dc:creator><![CDATA[MoDe(s)]]></dc:creator>
		<pubDate>Fri, 03 Nov 2023 07:50:14 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Exhibition]]></category>
		<guid isPermaLink="false">https://modernidadesdescentralizadas.com/?p=7696</guid>

					<description><![CDATA[<p>Throughout this month of November, two exhibitions will be held in memory of artist and researcher Laura Ramírez Palacio (1988-2022), a member of the MoDe(s) team. "Vínculos y disociaciones" will take place at the Universidad Autónoma de Madrid and "Porque no hemos visto. Laura Ramirez Palacio" at the Espacio PlusArtis.</p>
<p>The entry <a href="https://modernidadesdescentralizadas.com/laura-ramirez-palacio-vinculos-y-disociaciones-porque-no-hemos-visto-2/">Laura Ramírez Palacio &#8211; Vínculos y disociaciones / Porque no hemos visto</a> was first published on <a href="https://modernidadesdescentralizadas.com/home">Modernidade(s) Descentralizadas</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Beyond the Exhibition: a Transnational and Polyphonic Approach to their Histories from the Cold War to our Time</title>
		<link>https://modernidadesdescentralizadas.com/actividad/beyond-the-exhibition-a-transnational-and-polyphonic-approach-to-their-histories-from-the-cold-war-to-contemporaneity/</link>
		
		<dc:creator><![CDATA[MoDe(s)]]></dc:creator>
		<pubDate>Tue, 30 Aug 2022 19:59:21 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Seminars]]></category>
		<category><![CDATA[Art and Politics]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Madrid]]></category>
		<category><![CDATA[Politics of exhibition]]></category>
		<category><![CDATA[visual culture]]></category>
		<guid isPermaLink="false">https://modernidadesdescentralizadas.com/?post_type=actividad&#038;p=7175</guid>

					<description><![CDATA[<p>The seminar "Beyond the Exhibition: a Transnational and Polyphonic Approach to their Histories from the Cold War to our Time" (9 September 2022, Universidad Autónoma de Madrid) seeks to discuss the potentialities and limitations of exhibitions, understanding them both as a tool to destabilize the Eurocentric narrative and the hegemonic exhibition format, and as a space traversed by geopolitical issues and tensions</p>
<p>The entry <a href="https://modernidadesdescentralizadas.com/actividad/beyond-the-exhibition-a-transnational-and-polyphonic-approach-to-their-histories-from-the-cold-war-to-contemporaneity/">Beyond the Exhibition: a Transnational and Polyphonic Approach to their Histories from the Cold War to our Time</a> was first published on <a href="https://modernidadesdescentralizadas.com/home">Modernidade(s) Descentralizadas</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Exhibition &#8211; María Ruido. The Rules of the Game</title>
		<link>https://modernidadesdescentralizadas.com/maria-ruido-the-rules-of-the-game/</link>
		
		<dc:creator><![CDATA[MoDe(s)]]></dc:creator>
		<pubDate>Thu, 17 Mar 2022 11:09:10 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[gender]]></category>
		<category><![CDATA[María Ruido]]></category>
		<category><![CDATA[Work]]></category>
		<guid isPermaLink="false">https://modernidadesdescentralizadas.com/?p=6907</guid>

					<description><![CDATA[<p>Until 4 September 2022, the exhibition "The rules of the game" at the Es Bauldar Museu d'Art Contemporani de Palma.  This new audiovisual production of María Ruido explore difficulties, conflicts and contradictions in class and gender as found in work situations in the art and culture sector. </p>
<p>The entry <a href="https://modernidadesdescentralizadas.com/maria-ruido-the-rules-of-the-game/">Exhibition &#8211; María Ruido. The Rules of the Game</a> was first published on <a href="https://modernidadesdescentralizadas.com/home">Modernidade(s) Descentralizadas</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Exhibition &#8211; Earthkeeping, Earthshaking – art, feminisms and ecology</title>
		<link>https://modernidadesdescentralizadas.com/exhibition-earthkeeping-earthshaking-art-feminisms-and-ecology/</link>
		
		<dc:creator><![CDATA[MoDe(s)]]></dc:creator>
		<pubDate>Mon, 20 Jul 2020 07:56:00 +0000</pubDate>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Exhibition]]></category>
		<guid isPermaLink="false">https://modernidadesdescentralizadas.com/?p=6223</guid>

					<description><![CDATA[<p>The exhibition "Earthkeeping, Earthshaking – art, feminisms and ecology" presents art works and ephemera by artists who questioned our individual and collective relationships with nature and the environment, and the dichotomies between nature and culture. </p>
<p>The entry <a href="https://modernidadesdescentralizadas.com/exhibition-earthkeeping-earthshaking-art-feminisms-and-ecology/">Exhibition &#8211; Earthkeeping, Earthshaking – art, feminisms and ecology</a> was first published on <a href="https://modernidadesdescentralizadas.com/home">Modernidade(s) Descentralizadas</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Miguel Trillo. Double Exposure</title>
		<link>https://modernidadesdescentralizadas.com/actividad/miguel-trillo-double-exposure/</link>
		
		<dc:creator><![CDATA[MoDe(s)]]></dc:creator>
		<pubDate>Mon, 25 Mar 2019 22:25:33 +0000</pubDate>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Art in the Spanish State]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Madrid]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Subculture]]></category>
		<guid isPermaLink="false">https://modernidadesdescentralizadas.com/?post_type=actividad&#038;p=3974</guid>

					<description><![CDATA[<p>Presented at the CA2M Centro de Arte Dos de Mayo in the Comunidad de Madrid, the exhibition Miguel Trillo.Double Exposure curated by Juan Albarrán offered a reconstruction of the first two solo exhibitions by Miguel Trillo (Jimena de la Frontera, Cádiz, 1953): PopPurri. Dos años de música pop en Madrid in the Ovidio Gallery in &#8230; <a href="https://modernidadesdescentralizadas.com/actividad/miguel-trillo-double-exposure/" class="more-link">Continue reading <span class="screen-reader-text">Miguel Trillo. Double Exposure</span></a></p>
<p>The entry <a href="https://modernidadesdescentralizadas.com/actividad/miguel-trillo-double-exposure/">Miguel Trillo. Double Exposure</a> was first published on <a href="https://modernidadesdescentralizadas.com/home">Modernidade(s) Descentralizadas</a>.</p>
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		<item>
		<title>A Thousand Roaring Beasts: Display Devices for a Critical Modernity</title>
		<link>https://modernidadesdescentralizadas.com/actividad/ongoing-a-thousand-roaring-beasts-display-devices-for-a-critical-modernity/</link>
		
		<dc:creator><![CDATA[MoDe(s)]]></dc:creator>
		<pubDate>Sun, 07 Jan 2018 18:33:32 +0000</pubDate>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[CAAC Seville]]></category>
		<category><![CDATA[Critic Modernity]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Narraciones expositivas]]></category>
		<guid isPermaLink="false">https://modernidadesdescentralizadas.com/?p=2238</guid>

					<description><![CDATA[<p>Until March 4th, the exhibition curated by Olga Fernández López at CAAC Sevilla presents artists who try to visibilize some of the silences, misunderstandings or undeveloped possibilities of writings from the past, opening a reflection on exhibitions of the 20th century as devices for producing subjectivities, experiences and discourses.</p>
<p>The entry <a href="https://modernidadesdescentralizadas.com/actividad/ongoing-a-thousand-roaring-beasts-display-devices-for-a-critical-modernity/">A Thousand Roaring Beasts: Display Devices for a Critical Modernity</a> was first published on <a href="https://modernidadesdescentralizadas.com/home">Modernidade(s) Descentralizadas</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Miguel Trillo-Double exposure, soon at CA2M</title>
		<link>https://modernidadesdescentralizadas.com/miguel-trillo-double-exposure-soon-at-ca2m/</link>
		
		<dc:creator><![CDATA[MoDe(s)]]></dc:creator>
		<pubDate>Thu, 23 Mar 2017 10:42:39 +0000</pubDate>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[CA2M]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Subculture]]></category>
		<guid isPermaLink="false">https://modernidadesdescentralizadas.com/?p=2350</guid>

					<description><![CDATA[<p>The exhibition on view from June to October 2017, curated by Juan Albarrán seeks to recontextualise Trillo’s early works within the framework of the history of recent photography and against its relationship with 1980 subcultures.</p>
<p>The entry <a href="https://modernidadesdescentralizadas.com/miguel-trillo-double-exposure-soon-at-ca2m/">Miguel Trillo-Double exposure, soon at CA2M</a> was first published on <a href="https://modernidadesdescentralizadas.com/home">Modernidade(s) Descentralizadas</a>.</p>
]]></description>
		
		
		
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