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	<title>International Conference archivos - Modernidade(s) Descentralizadas</title>
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	<description>Art, politics and counterculture on the transatlantic axis during the Cold War</description>
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		<title>Reports &#8211; Decentralized Modernities 2</title>
		<link>https://modernidadesdescentralizadas.com/reports-decentralized-modernities-2/</link>
		
		<dc:creator><![CDATA[MoDe(s)]]></dc:creator>
		<pubDate>Tue, 10 Dec 2019 17:12:28 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Art and Politics]]></category>
		<category><![CDATA[International Conference]]></category>
		<category><![CDATA[MoDe(s)2]]></category>
		<category><![CDATA[Seminar]]></category>
		<category><![CDATA[visual culture]]></category>
		<guid isPermaLink="false">https://modernidadesdescentralizadas.com/?p=5208</guid>

					<description><![CDATA[<p>The reports aim to document the discussions that took place during MoDe(s) activities, as well as being an useful complement to the recording of the events that can be found in the multimedia section.</p>
<p>The entry <a href="https://modernidadesdescentralizadas.com/reports-decentralized-modernities-2/">Reports &#8211; Decentralized Modernities 2</a> was first published on <a href="https://modernidadesdescentralizadas.com/home">Modernidade(s) Descentralizadas</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Soon: Symposium Transnational solidarity and visual culture, 24 &#038; 25 June 2019 in Grenoble</title>
		<link>https://modernidadesdescentralizadas.com/soon-symposium-transnational-solidarity-and-visual-culture-24-25-june-2019-in-grenoble/</link>
		
		<dc:creator><![CDATA[MoDe(s)]]></dc:creator>
		<pubDate>Wed, 05 Jun 2019 08:30:37 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[International Conference]]></category>
		<category><![CDATA[Solidarity]]></category>
		<category><![CDATA[Université Grenoble Alpes]]></category>
		<category><![CDATA[visual culture]]></category>
		<guid isPermaLink="false">https://modernidadesdescentralizadas.com/?p=4373</guid>

					<description><![CDATA[<p>This international conference aims to open up an innovative field of research on transnational solidarity movements at the crossroads of cultural history and visual culture. It seeks to show how some networks have shaped a transnational visual culture of resistance, while adapting to local contexts and political struggles.</p>
<p>The entry <a href="https://modernidadesdescentralizadas.com/soon-symposium-transnational-solidarity-and-visual-culture-24-25-june-2019-in-grenoble/">Soon: Symposium Transnational solidarity and visual culture, 24 &#038; 25 June 2019 in Grenoble</a> was first published on <a href="https://modernidadesdescentralizadas.com/home">Modernidade(s) Descentralizadas</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>International conference Visual Semantics-Visualizing Global Networks, Circulations, and Patterns</title>
		<link>https://modernidadesdescentralizadas.com/international-conference-visual-semantics-visualizing-global-networks-circulations-and-patterns/</link>
		
		<dc:creator><![CDATA[MoDe(s)]]></dc:creator>
		<pubDate>Mon, 03 Jun 2019 16:26:36 +0000</pubDate>
				<category><![CDATA[Conferences]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Digital Art History]]></category>
		<category><![CDATA[Digital humanities]]></category>
		<category><![CDATA[ENS Paris]]></category>
		<category><![CDATA[International Conference]]></category>
		<category><![CDATA[Networks and circulations]]></category>
		<guid isPermaLink="false">https://modernidadesdescentralizadas.com/?p=4403</guid>

					<description><![CDATA[<p>On June 13th and 14th at the École Normale Supérieure in Paris, this international conference will discuss the potential of digital technology in renewing our understanding of artistic circulations and in the deployment of alternative narratives.</p>
<p>The entry <a href="https://modernidadesdescentralizadas.com/international-conference-visual-semantics-visualizing-global-networks-circulations-and-patterns/">International conference Visual Semantics-Visualizing Global Networks, Circulations, and Patterns</a> was first published on <a href="https://modernidadesdescentralizadas.com/home">Modernidade(s) Descentralizadas</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Transnational solidarity and visual culture: resistance and revolutionary memories from WWII to the Cold War</title>
		<link>https://modernidadesdescentralizadas.com/actividad/transnational-solidarity-and-visual-culture-resistance-and-revolutionary-memories-from-wwii-to-the-cold-war/</link>
		
		<dc:creator><![CDATA[MoDe(s)]]></dc:creator>
		<pubDate>Wed, 15 May 2019 17:13:44 +0000</pubDate>
				<category><![CDATA[Conferences]]></category>
		<category><![CDATA[International Conference]]></category>
		<category><![CDATA[Solidarity]]></category>
		<category><![CDATA[Transnational Networks]]></category>
		<category><![CDATA[Université Grenoble Alpes]]></category>
		<category><![CDATA[visual culture]]></category>
		<guid isPermaLink="false">https://modernidadesdescentralizadas.com/?post_type=actividad&#038;p=3910</guid>

					<description><![CDATA[<p>This international symposium aims to open up an innovative field of research on transnational solidarity movements crisscrossing cultural history and visual culture. This approach seeks to explore the role of visual culture as a transnational vehicle for collective dissent and consciousness, and its agency in shaping social movements through international networks of resistance. We propose &#8230; <a href="https://modernidadesdescentralizadas.com/actividad/transnational-solidarity-and-visual-culture-resistance-and-revolutionary-memories-from-wwii-to-the-cold-war/" class="more-link">Continue reading <span class="screen-reader-text">Transnational solidarity and visual culture: resistance and revolutionary memories from WWII to the Cold War</span></a></p>
<p>The entry <a href="https://modernidadesdescentralizadas.com/actividad/transnational-solidarity-and-visual-culture-resistance-and-revolutionary-memories-from-wwii-to-the-cold-war/">Transnational solidarity and visual culture: resistance and revolutionary memories from WWII to the Cold War</a> was first published on <a href="https://modernidadesdescentralizadas.com/home">Modernidade(s) Descentralizadas</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Visual Semantics &#8211; Visualizing Global Networks, Circulations, and Patterns</title>
		<link>https://modernidadesdescentralizadas.com/actividad/artifacts-images-and-forms-in-global-circulation/</link>
		
		<dc:creator><![CDATA[MoDe(s)]]></dc:creator>
		<pubDate>Fri, 10 May 2019 08:50:55 +0000</pubDate>
				<category><![CDATA[Conferences]]></category>
		<category><![CDATA[Digital Art History]]></category>
		<category><![CDATA[Digital humanities]]></category>
		<category><![CDATA[ENS Paris]]></category>
		<category><![CDATA[International Conference]]></category>
		<category><![CDATA[Networks and circulations]]></category>
		<guid isPermaLink="false">https://modernidadesdescentralizadas.com/?post_type=actividad&#038;p=4379</guid>

					<description><![CDATA[<p>Chairs : Béatrice Joyeux-Prunel, Paula Barreiro López, Catherine Dossin. In his groundbreaking project, the Atlas Mnemosyne, Aby Warburg suggested that some shapes travel, passing times and cultures. On their way, accompanied by processes of mixture, borrowings, transfers and resemanticizations that contribute to their impact, they become acting symbols. Building on this idea, Herbert Read proposed &#8230; <a href="https://modernidadesdescentralizadas.com/actividad/artifacts-images-and-forms-in-global-circulation/" class="more-link">Continue reading <span class="screen-reader-text">Visual Semantics &#8211; Visualizing Global Networks, Circulations, and Patterns</span></a></p>
<p>The entry <a href="https://modernidadesdescentralizadas.com/actividad/artifacts-images-and-forms-in-global-circulation/">Visual Semantics &#8211; Visualizing Global Networks, Circulations, and Patterns</a> was first published on <a href="https://modernidadesdescentralizadas.com/home">Modernidade(s) Descentralizadas</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Through, from, to Latin America: Networks, circulations and artistic transits from the 1960s to the present</title>
		<link>https://modernidadesdescentralizadas.com/actividad/through-from-to-latin-america-networks-circulations-and-artistic-transits-from-the-1960s-to-the-present/</link>
		
		<dc:creator><![CDATA[MoDe(s)]]></dc:creator>
		<pubDate>Mon, 30 Oct 2017 06:51:53 +0000</pubDate>
				<category><![CDATA[Conferences]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[International Conference]]></category>
		<category><![CDATA[Latin America]]></category>
		<category><![CDATA[Lisboa]]></category>
		<category><![CDATA[Networks and circulations]]></category>
		<guid isPermaLink="false">https://modernidadesdescentralizadas.com/?p=2247</guid>

					<description><![CDATA[<p>This 2-days conference in Lisbon (27-28 November 2017) aims at opening a critical space of debate to discuss the role of different forms of dislocation – such as artistic migrations, exiles, networking, circulations of ideas and theoretical articulations, artworks and exhibitions – in the shaping of contemporary art in and beyond Latin America.[:]</p>
<p>The entry <a href="https://modernidadesdescentralizadas.com/actividad/through-from-to-latin-america-networks-circulations-and-artistic-transits-from-the-1960s-to-the-present/">Through, from, to Latin America: Networks, circulations and artistic transits from the 1960s to the present</a> was first published on <a href="https://modernidadesdescentralizadas.com/home">Modernidade(s) Descentralizadas</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>50th Congress of the AICA in Paris</title>
		<link>https://modernidadesdescentralizadas.com/50th-congress-of-the-aica-in-paris/</link>
		
		<dc:creator><![CDATA[MoDe(s)]]></dc:creator>
		<pubDate>Fri, 20 Oct 2017 07:04:15 +0000</pubDate>
				<category><![CDATA[Conferences]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[AICA]]></category>
		<category><![CDATA[Art Criticism]]></category>
		<category><![CDATA[Avant-garde in Spain]]></category>
		<category><![CDATA[International Conference]]></category>
		<guid isPermaLink="false">https://modernidadesdescentralizadas.com/?p=2261</guid>

					<description><![CDATA[<p>In the framework of the 50th Congress of the International Association of Art Critics (AICA) in Paris, Paula Barreiro López will take part in the panel "Paradigmatic shifts in the AICA's history" with a lecture about Spanish art criticism in the 1960s.</p>
<p>The entry <a href="https://modernidadesdescentralizadas.com/50th-congress-of-the-aica-in-paris/">50th Congress of the AICA in Paris</a> was first published on <a href="https://modernidadesdescentralizadas.com/home">Modernidade(s) Descentralizadas</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Symposium &#8220;Mexican/US art and artists crossing borders&#8221; at the Smithsonian</title>
		<link>https://modernidadesdescentralizadas.com/symposium-mexican-us-art-and-artists-crossing-borders-at-the-smithsonian/</link>
		
		<dc:creator><![CDATA[MoDe(s)]]></dc:creator>
		<pubDate>Wed, 11 Oct 2017 07:07:14 +0000</pubDate>
				<category><![CDATA[Conferences]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[International Conference]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[Rufino Tamayo]]></category>
		<category><![CDATA[Smithsonian]]></category>
		<guid isPermaLink="false">https://modernidadesdescentralizadas.com/?p=2265</guid>

					<description><![CDATA[<p>Fabiola Martínez Rodríguez will participate in the symposium “A line that birds cannot see”: Mexican/US Art and Artists Crossing Borders in the 20th Century, organized at the Smithsonian American Art Museum on November 3rd, 2017 with the lecture "Between Figuration and Abstraction: The Cultural Cold War and Tamayo’s Art in the 1950s."[:]</p>
<p>The entry <a href="https://modernidadesdescentralizadas.com/symposium-mexican-us-art-and-artists-crossing-borders-at-the-smithsonian/">Symposium &#8220;Mexican/US art and artists crossing borders&#8221; at the Smithsonian</a> was first published on <a href="https://modernidadesdescentralizadas.com/home">Modernidade(s) Descentralizadas</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Symposium Transatlantic Paths: the Cold War between fields of action and critical nodes</title>
		<link>https://modernidadesdescentralizadas.com/actividad/symposium-transatlantic-paths-the-cold-war-between-fields-of-action-and-critical-nodes/</link>
		
		<dc:creator><![CDATA[MoDe(s)]]></dc:creator>
		<pubDate>Wed, 05 Jul 2017 07:09:10 +0000</pubDate>
				<category><![CDATA[Conferences]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[International Conference]]></category>
		<category><![CDATA[Saint Louis University Madrid]]></category>
		<category><![CDATA[Transatlantic Axis]]></category>
		<guid isPermaLink="false">https://modernidadesdescentralizadas.com/?p=2270</guid>

					<description><![CDATA[<p>MoDe(s) organizes the conference "Transatlantic paths: the Cold War between fields of action and critical nodes", on July 10th and 11th at Saint Louis University Madrid.</p>
<p>The entry <a href="https://modernidadesdescentralizadas.com/actividad/symposium-transatlantic-paths-the-cold-war-between-fields-of-action-and-critical-nodes/">Symposium Transatlantic Paths: the Cold War between fields of action and critical nodes</a> was first published on <a href="https://modernidadesdescentralizadas.com/home">Modernidade(s) Descentralizadas</a>.</p>
]]></description>
		
		
		
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