Exhibitions archivos - Modernidade(s) Descentralizadas

Rebel aesthetics: remnants of the Zapatistas’ journey to Europe

MoDe(s) — Wed, 01 Apr 2026 17:53:37 +0000

The exhibition "Rebel aesthetics: remnants of the Zapatistas' journey to Europe" (Grenoble, April 23 – May 18, 2026) explores the Journey for Life (2021), a Zapatista initiative aimed at engaging with European grassroots collectives. Through images, objects, and archival materials, it examines the role of art in the circulation of struggles and the creation of shared imaginaries.

The entry Rebel aesthetics: remnants of the Zapatistas’ journey to Europe was first published on Modernidade(s) Descentralizadas.

Equipo Comunicación. Antifranquismo, edición, debate (1968-1979)

MoDe(s) — Fri, 18 Oct 2024 14:30:29 +0000

The exhibition “Equipo Comunicación. Antifranquismo, edición, debate (1968-1979)” ( Sala de exposiciones UAM, October 28 - December 6, 2024) aims to recover the editorial and intellectual activity of Equipo Comunicación, relating it to the movement of non-tenured professors (PNN, profesores no numerarios) of the Autonomous University of Madrid.

The entry Equipo Comunicación. Antifranquismo, edición, debate (1968-1979) was first published on Modernidade(s) Descentralizadas.

Unspoken Identities

MoDe(s) — Wed, 15 Feb 2023 10:53:57 +0000

‘Unspoken Identities’ (15.02.2023 – 31.03.2023, Ana Mas Projects), curated by Abdiel. D. Segarra, responds to the interest in engaging in dialogues that can help to build a new perspective on the art from the Caribbean and its diasporas. It is possibly the first curatorial project dedicated to this matter presented by a gallery in Europe.

The entry Unspoken Identities was first published on Modernidade(s) Descentralizadas.

Exhibition – Earthkeeping, Earthshaking – art, feminisms and ecology

MoDe(s) — Mon, 20 Jul 2020 07:56:00 +0000

The exhibition "Earthkeeping, Earthshaking – art, feminisms and ecology" presents art works and ephemera by artists who questioned our individual and collective relationships with nature and the environment, and the dichotomies between nature and culture.

The entry Exhibition – Earthkeeping, Earthshaking – art, feminisms and ecology was first published on Modernidade(s) Descentralizadas.

Miguel Trillo. Double Exposure

MoDe(s) — Mon, 25 Mar 2019 22:25:33 +0000

Presented at the CA2M Centro de Arte Dos de Mayo in the Comunidad de Madrid, the exhibition Miguel Trillo.Double Exposure curated by Juan Albarrán offered a reconstruction of the first two solo exhibitions by Miguel Trillo (Jimena de la Frontera, Cádiz, 1953): PopPurri. Dos años de música pop en Madrid in the Ovidio Gallery in … Continue reading Miguel Trillo. Double Exposure

The entry Miguel Trillo. Double Exposure was first published on Modernidade(s) Descentralizadas.

A Thousand Roaring Beasts: Display Devices for a Critical Modernity

MoDe(s) — Sun, 07 Jan 2018 18:33:32 +0000

Until March 4th, the exhibition curated by Olga Fernández López at CAAC Sevilla presents artists who try to visibilize some of the silences, misunderstandings or undeveloped possibilities of writings from the past, opening a reflection on exhibitions of the 20th century as devices for producing subjectivities, experiences and discourses.

The entry A Thousand Roaring Beasts: Display Devices for a Critical Modernity was first published on Modernidade(s) Descentralizadas.

Miguel Trillo-Double exposure, soon at CA2M

MoDe(s) — Thu, 23 Mar 2017 10:42:39 +0000

The exhibition on view from June to October 2017, curated by Juan Albarrán seeks to recontextualise Trillo’s early works within the framework of the history of recent photography and against its relationship with 1980 subcultures.

The entry Miguel Trillo-Double exposure, soon at CA2M was first published on Modernidade(s) Descentralizadas.

Wifredo Lam at Reina Sofía Museum: exhibition and catalogue

MoDe(s) — Tue, 12 Apr 2016 11:34:19 +0000

Until August 15, 2016, the Museo Nacional Centro de Arte Reina Sofía in Madrid presents an important exhibition of Wifredo Lam (Sagua La Grande, 1902 - Paris, 1982), covering multiple aspects of the trajectory of the Cuban artist. The exhibition catalogue includes an essay by Paula Barreiro López.

The entry Wifredo Lam at Reina Sofía Museum: exhibition and catalogue was first published on Modernidade(s) Descentralizadas.

Maria Ruido. L’œil impératif

MoDe(s) — Fri, 20 Nov 2015 12:02:56 +0000

L’œil impératif analyses the political, economic and representative mechanisms that serve to perpetuate the effects of colonialism and neocolonialism in the former Spanish and French protectorates in North Africa.

The entry Maria Ruido. L’œil impératif was first published on Modernidade(s) Descentralizadas.