María Ruido archivos - Modernidade(s) Descentralizadas

María Ruido “Of Love and Rage” – Spanish Academy in Rome

MoDe(s) — Mon, 20 Jan 2025 11:44:48 +0000

María Ruido has been awarded the prestigious grant (2024-2025) from the Spanish Academy in Rome to develop her project "De amor y rabia" (Of Love and Rage).

The entry María Ruido “Of Love and Rage” – Spanish Academy in Rome was first published on Modernidade(s) Descentralizadas.

Exhibition – María Ruido. The Rules of the Game

MoDe(s) — Thu, 17 Mar 2022 11:09:10 +0000

Until 4 September 2022, the exhibition "The rules of the game" at the Es Bauldar Museu d'Art Contemporani de Palma. This new audiovisual production of María Ruido explore difficulties, conflicts and contradictions in class and gender as found in work situations in the art and culture sector.

The entry Exhibition – María Ruido. The Rules of the Game was first published on Modernidade(s) Descentralizadas.

Presentation of the book – Working Dead. Escenarios del Postrabajo

MoDe(s) — Tue, 22 Oct 2019 16:36:20 +0000

The book Working Dead. Scenarios del Postrabajo will be presented at La Virreina (Barcelona) on 24 October at 7:00 pm. Edited by Marta Echaves, Antonio Gómez Villar and María Ruido, the book proposes to penetrate into the variable geographies of the new composition of work.

The entry Presentation of the book – Working Dead. Escenarios del Postrabajo was first published on Modernidade(s) Descentralizadas.

Maria Ruido. L’œil impératif

MoDe(s) — Fri, 20 Nov 2015 12:02:56 +0000

L’œil impératif analyses the political, economic and representative mechanisms that serve to perpetuate the effects of colonialism and neocolonialism in the former Spanish and French protectorates in North Africa.

The entry Maria Ruido. L’œil impératif was first published on Modernidade(s) Descentralizadas.

Colonialism, coloniality and visual sovereignty(/ies)

MoDe(s) — Sun, 20 Sep 2015 12:06:21 +0000

In relation to the exhibition L'oeil impératif by artist Maria Ruido, this round table discussion proposes a transversal reflection on the role that the visual regime acquires in colonial and neo-colonial processes, perceived not only from the perspective of economic exploitation or political interventionism, but also as a hierarchy of thought or an epistemological hegemony.

The entry Colonialism, coloniality and visual sovereignty(/ies) was first published on Modernidade(s) Descentralizadas.