Públicos

Barrett, J. (2011), Museums and the Public Sphere, Wiley-Blackwell, Chichester.

Bishop, C. (2018), «Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention», The Drama Review, 62 (2), pp.22-42.

Calhoun, C. (ed.) (1992), Habermas and the Public Sphere, The MIT Press, Cambridge, Ma.

Carrier, D. (1986), «Art and Its Spectators», The Journal of Aesthetics and Art Criticism, 45 (1), pp. 5-17.

Crary, J. (1990), Techniques of the Observer. On Vision and Modernity in the Nineteenth Century, The MIT Press, Cambridge, Ma.

Hoelscher, S. (ed.) (2013). Reading Magnum: a visual archive of the modern world, University of Texas Press, Austin, p. 92.

Klaus, E. and O’Connor, B. (2000), «Pleasure and meaningful discourse: An overview of research issues», International Journal of cultural studies, 3 (3), pp. 369-387.

Leahy, H.R. (2012), Museum Bodies. The Politics and Practices of Visiting and Viewing, Routledge, London and New York.

Martin Prada, J. (2018), El ver y las imágenes en el tiempo de Internet, AKAL, Madrid.
Sobchack, V. (2004), Carnal thoughts. Embodiment and the moving image culture, California University Press, Berkeley.

Reyero, C. (2008), Observadores. Estudiosos, aficionados y turistas dentro del cuadro, Universitat Autònoma de Barcelona, Barcelona.

Wesseling, J. (2017), The Perfect Spectator. The Experience of Art Work and Reception Aesthetics, Valiz, Amsterdam.

Wilder, K. (2020), Beholding. Situated Art and the Aesthetics of Reception, Bloomsbury, London.