Professor of contemporary art history at the Ecole Normale Supérieure in Paris since 2007, she received the qualification to direct research (HDR) in 2015. She teaches art history, with global and quantitative approaches, digital humanities and prepares students for heritage conservation concourses. She is in charge of international relations in the History and Theory of the Arts Department of the ENS. She directs doctoral theses in art history. Her research focuses on the world history of the avant-garde, the visual culture of oil and the digital. Béatrice Joyeux-Prunel has founded and directed the ARTL@S programme since 2009.

Publications

Joyeux-Prunel, Les Avant-gardes artistiques. Une histoire transnationale – Vol. 1 : 1848-1918. Paris, Gallimard, Folio Histoire, 2016; Vol.2 : 1918-1945, Paris, Gallimard, Folio Histoire, 2017; Vol. 3: 1945-1968, Paris, Gallimard, Folio Histoire, 2018.

Joyeux-Prunel, DaCosta Kaufmann T. y Dossin C. (eds.), Circulation in the Global History of Art Routledge, 2015.

Joyeux-Prunel (dir.), L’Art et la mesure : histoire de l’art et méthodes quantitatives, sources, outils, bonnes pratiques. Paris, Editions Rue d’Ulm, 2010.

Joyeux-Prunel, Nul n’est prophète en son pays ? l’internationalisation de la peinture des avant-gardes parisiennes, 1855-1914. Paris, Nicolas Chaudun/Musée d’Orsay, 2009 – Prix du musée d’Orsay.