The objective of this workshop is to examine and compare the methodological and theoretical approaches that propose to think space and place through the lens of art history and aesthetics. And those, which propose to think art history and aesthetics through the lens of space and place.
This seminar proposes a space to discuss and problematize the current Puerto Rican cultural panorama considering the conditions of its institutions and cultural projects.
The book Vicente Aguilera Cerni by Lydia Frasquet Bellver claims the important work of Aguilera Cerni, one of the most internationally renowned Spanish art critics and historians of the 20th century.
Taking as a starting point the exemplary case of Venice, this seminar aims to analyze the genesis and development of the touristification and commercialization of the city, as well as the role of artists, curatorial projects and its residents in the regeneration of the social and urban context and in claiming the right to the city.
On October 8, 2020 Élodie Lebeau (Université de Toulouse 2 Jean-Jaurès / Instituto de Historia de La Pontificia Universidad Católica de Chile) will participate in the seminar “Cultures Visuelles Militantes” of the University Grenoble Alpes with the lecture “Le Musée de la Solidarité Salvador Allende, de l’Unité Populaire au retour d’exil (1971-1991)”.
The exhibition “Earthkeeping, Earthshaking – art, feminisms and ecology” presents art works and ephemera by artists who questioned our individual and collective relationships with nature and the environment, and the dichotomies between nature and culture.
Release of “Exposiciones y comisariado. Relatos cruzados” by Olga Fernández López. The book intertwines the genealogies of curatorial and exhibition studies and proposes a unified history of their convergence.
The workshop “Partisan genealogies: counter-visualities since WWII” allowed to debate a broad imagery connected to the partisan struggle, the notion of the partisan itself, assessing the heterogeneity of its status, the multiple ways and manners of claiming rights and the places of partisanship.
Basing on a crossed-reading of historical moments, this international workshop aims to reflect on how exhibitions, archives, films, journals and visual productions deal with the partisan imaginary.