The exhibition “Earthkeeping, Earthshaking – art, feminisms and ecology” presents art works and ephemera by artists who questioned our individual and collective relationships with nature and the environment, and the dichotomies between nature and culture.
Release of “Exposiciones y comisariado. Relatos entrecruzados” by Olga Fernández López. The book intertwines the genealogies of curatorial and exhibition studies and proposes a unified history of their convergence.
The workshop “Partisan genealogies: counter-visualities since WWII” allowed to debate a broad imagery connected to the partisan struggle, the notion of the partisan itself, assessing the heterogeneity of its status, the multiple ways and manners of claiming rights and the places of partisanship.
Basing on a crossed-reading of historical moments, this international workshop aims to reflect on how exhibitions, archives, films, journals and visual productions deal with the partisan imaginary.
The International Workshop “Partisan Resistance(s): a tool box for analyzing transnational concepts and images” sought to deepen the complex role of oral, written and visual productions as elements of a culture of resistance that links the Western world, socialist countries and the Third World.
This international workshop aims to analyze how the oral, written and visual productions can be considered as elements of a culture of resistance that links the Western world, socialist countries and the Third World.
Isabel Plante, visiting profesor at UGA 2020, will participate in the cycle of encounters “Meeting with…”. On 21 February 2020, she will presente her current research entitled “International Circulation of Cuban Posters and Chilean Arpilleras during the Sixties and Seventies: History of These Emblematic Latin American Visual Artifacts”.
International Seminar – Resonances/dissonances of history and memory in global contemporaneity Facultad de Greografía e Historia Universitat de Barcelona 8 January 2020 by Anita Orzes The seminar Resonances/dissonances of history and memory in global contemporaneity sought to deepen the complex dialogues and interlinkages between the artistic, cultural and geopolitical spheres produced during the Cold War, … Continue reading Report – Resonances/dissonances of history and memory in global contemporaneity
The e-publication “Conceptualism: Intersectional Readings, International Framings, Black Artists & Modernism in Europe Since 1968” (Van Abbemuseum, 2019) is now available. Here you can read the essay “Repositioning Spanish Conceptualisms: New Institutionalism, Coloniality and the Contemporary” by Juan Albarrán.