Paula Barreiro López, director of the international platform Decentralized Modernities, received the Pierre Daix prize from the Fondation Pinault for her book Compagnons de lutte. Avant-garde and art criticism in Spain during Francoism (Maison des Sciences de l’Homme, 2023).
Networks and circulations
Cartographic Narratives: Trajectories of Cultural Agents and Artifacts in the Atlantic Space
The doctoral seminar “Cartographic Narratives: Trajectories of Cultural Agents and Artifacts in the Atlantic Space” (Université Grenoble Alpes, 8 July 2022) seeks to discuss the contributions that the geospatial approach brings to the history of art. Based on current research and the work with MoDe(s) Database, we will reflect on how to interrogate and analyze the points of contact, transaction or disjunction of the (spatial) history of art.
From Geopolitics to Geoaesthetics. The Challenges of the Spatial Turn, or Debates for a Transnational Art History
The objective of this workshop is to examine and compare the methodological and theoretical approaches that propose to think space and place through the lens of art history and aesthetics. And those, which propose to think art history and aesthetics through the lens of space and place.
Crisis over Crisis: institucionalidad cultural en desequilibrio
This seminar proposes a space to discuss and problematize the current Puerto Rican cultural panorama considering the conditions of its institutions and cultural projects.
Contra vientos y mareas: Venezia & Veniceland
Taking as a starting point the exemplary case of Venice, this seminar aims to analyze the genesis and development of the touristification and commercialization of the city, as well as the role of artists, curatorial projects and its residents in the regeneration of the social and urban context and in claiming the right to the city.
Interinstitutional and interbiennial networks across the Atlantic? The biennialistic reality in Latin America and the Caribbean (1951 – 1986)
The study seeks to map the biennials in Latin America and the Caribbean between 1951 and 1986, defining their characteristics and specificities and offering a first approach to this biennial environment.
Partisan genealogies: counter-visualities since WWII
Basing on a crossed-reading of historical moments, this international workshop aims to reflect on how exhibitions, archives, films, journals and visual productions deal with the partisan imaginary.
Partisan genealogies: counter-visualities since WWII
This international workshop is the second part of Partisan Resistance(s): a tool box for analyzing transnational concepts and images which took place in March virtually due to the Covid-19. Following with our research on the complex role of the oral, written and visual productions as agents for a culture of resistance, this workshop seeks to … Continue reading Partisan genealogies: counter-visualities since WWII
Report – Partisan Resistance(s): a tool box for analyzing transnational concepts and images
The International Workshop “Partisan Resistance(s): a tool box for analyzing transnational concepts and images” sought to deepen the complex role of oral, written and visual productions as elements of a culture of resistance that links the Western world, socialist countries and the Third World.
