Cartographic Narratives: Trajectories of Cultural Agents and Artifacts in the Atlantic Space

The doctoral seminar “Cartographic Narratives: Trajectories of Cultural Agents and Artifacts in the Atlantic Space” (Université Grenoble Alpes, 8 July 2022) seeks to discuss the contributions that the geospatial approach brings to the history of art. Based on current research and the work with MoDe(s) Database, we will reflect on how to interrogate and analyze the points of contact, transaction or disjunction of the (spatial) history of art.

From Geopolitics to Geoaesthetics. The Challenges of the Spatial Turn, or Debates for a Transnational Art History

The objective of this workshop is to examine and compare the methodological and theoretical approaches that propose to think space and place through the lens of art history and aesthetics. And those, which propose to think art history and aesthetics through the lens of space and place.

Contra vientos y mareas: Venezia & Veniceland

Taking as a starting point the exemplary case of Venice, this seminar aims to analyze the genesis and development of the touristification and commercialization of the city, as well as the role of artists, curatorial projects and its residents in the regeneration of the social and urban context and in claiming the right to the city.

Partisan genealogies: counter-visualities since WWII

This international workshop is the second part of Partisan Resistance(s): a tool box for analyzing transnational concepts and images which took place in March virtually due to the Covid-19. Following with our research on the complex role of the oral, written and visual productions as agents for a culture of resistance, this  workshop seeks to … Continue reading Partisan genealogies: counter-visualities since WWII

Report – Partisan Resistance(s): a tool box for analyzing transnational concepts and images

The International Workshop “Partisan Resistance(s): a tool box for analyzing transnational concepts and images” sought to deepen the complex role of oral, written and visual productions as elements of a culture of resistance that links the Western world, socialist countries and the Third World.