Basing on a crossed-reading of historical moments, this international workshop aims to reflect on how exhibitions, archives, films, journals and visual productions deal with the partisan imaginary.
This international workshop is the second part of Partisan Resistance(s): a tool box for analyzing transnational concepts and images which took place in March virtually due to the Covid-19. Following with our research on the complex role of the oral, written and visual productions as agents for a culture of resistance, this workshop seeks to … Continue reading Partisan genealogies: counter-visualities since WWII
The International Workshop “Partisan Resistance(s): a tool box for analyzing transnational concepts and images” sought to deepen the complex role of oral, written and visual productions as elements of a culture of resistance that links the Western world, socialist countries and the Third World.
Since the Spanish Civil War the antifascist resistance configured models of struggle and collective organization. After the liberation the battle for freedom of the antifascist movement continued in the following decades as part of the struggles for decolonization, anti-imperialism, civil rights and anti-capitalism, especially in radical left movements, in which similar models of resistance … Continue reading Partisan Resistance(s): a tool box for analyzing transnational concepts and images
The sound recording of the international seminar “Le camarade Pi©a$$o au carrefour des cultures des résistances” (Musée de Grenoble, 22 November 2019) are now available in our multimedia section.
“For us, Picasso was everything: he helped us financially, he was the “red one” (rojo), the communist and also the one who had painted Guernica”. The Spanish philosopher Francisco Fernández Buey, who studied at the University of Barcelona in the 1970s, defined in these terms the key role of Pablo Picasso and Guernica as left … Continue reading Le camarade Pi©a$$o au carrefour des cultures des résistances