The sound recording of the seminar “Scenarios, representations and transformations of work in the global world” (MACBA, 28 November 2019) are now available in our multimedia section.
This seminar questions the variable geographies of the new composition of labour, opening up debates and questions that tackle the transformations in the composition of the force of labour, in the dynamics of capitalist valorisation, in the lines of conflict and in the processes of constitution of subjectivities.
The book Avant-garde Art and Criticism in Francoist Spain by Paula Barreiro López will be presented by the author, along with Miriam Basilio and Juanjo Lahuerta. On March 22nd, at 7 pm, in the Auditorium of MACBA’s Convent del Àngels.
The Cold Atlantic pre-doctoral seminar took place on September 8 and 9 at the University of Barcelona and the MACBA. There were two days of very fruitful presentations and exchanges, many thanks to the participants for sharing their work in progress and feeding a debate that two days did not manage to exhaust!
Check the full programme of the Cold Atlantic predoctoral seminar, next September in Barcelona! Two promising days of lectures, visits and discussions between PhD students and international experts…
Thank you to all the participants and members of the audience of the Global Art Challenges International Conference! Soon, the conference’s audio recordings will be available at our Multimedia section!
These are the last days for inscriptions to the International Conference Global Art Challenges: Towards an ‘Ecology of Knowledges’! With keynotes by Monica Juneja (Universität Heidelberg), Klara Kemp-Welch (The Courtauld Institute of Art), Béatrice Joyeux-Prunel (École Normale Supérieure) and Maria Hlavajova (BAK Utrecht). Members of MoDe(s) Paula Barreiro Lopez and Jaime Vindel participate in the event.
Inscriptions to Global Art Challenges: Towards an “Ecology of Knowledges” are open! Held in Barcelona on April 28-29, 2016, the international conference seeks to discuss, from a methodological, epistemological and practical perspective, the possibilities of developing an “ecology of knowledges” in art history, regarding also artistic and institutional practices.