Report – Partisan Resistance(s): Visual Culture, Collective Imagination and Revolutionary Memory

The International Workshop “Partisan Resistance(s): Visual Culture, Collective Imagination and Revolutionary Memory” sought to deepen the complex role of oral, written and visual productions as elements of a culture of resistance that links the Western world, socialist countries and the Third World.

MoDe(s): second round 2018-2020!

The research project MoDe(s)-Decentralized Modernities: Art, Politics and Counterculture in the Transatlantic Axis during the Cold War is continuing with its second phase: MoDe(s)2 (2018-2020). MoDe(s)2 incorporates new themes and focuses of attention, new team members, and has already an exciting program of upcoming activities. Have a look at them!

Between diplomacy and dissidence: politics of exhibition and curatorial positioning during the Cold War

This seminar (13 December 2017 in Barcelona) aims to generate a debate around the importance of exhibition policies and curatorial practices, in order to understand the cultural dynamics of a period in which the geopolitical scene needed all the means available to transmit new stories.

Engagement in times of revolt: the political stakes of international art criticism during the Cold War

This symposium organized in Rennes by the PRISME program in collaboration with MoDe(s) addresses the multiple crossings between the practice of criticism, art and politics since 1945, contemplating the art critic as a political actor that interacted with changing historical and geographical contexts.