The study seeks to map the biennials in Latin America and the Caribbean between 1951 and 1986, defining their characteristics and specificities and offering a first approach to this biennial environment.
This international workshop is the second part of Partisan Resistance(s): a tool box for analyzing transnational concepts and images which took place in March virtually due to the Covid-19. Following with our research on the complex role of the oral, written and visual productions as agents for a culture of resistance, this workshop seeks to … Continue reading Partisan genealogies: counter-visualities since WWII
In the framework of the seminar “1959-1985, au prisme de la Biennale de Paris”, this session aims to discuss the symbolic, cultural and political value of the Paris Biennale from the 1950s to the 1970s, and its reception in two totalitarian contexts on both sides of the Iron Curtain: Spain and Poland.
Artl@s project in collaboration with MoDe(s) organizes a two-days workshop on digital and spatial methodologies at the École Normale Supérieure in Paris, focusing on issues raised by transnational history and the study of the international circulation of objects, people, linguistic expressions and artistic reputations.
On Thursday May 18th, Fabiola Martínez will give the conference “The Hemispheric Politics of Mexico’s Inter-American Biennials (1958 and 1960)”, as part of the seminar “Biennales du Sud/Biennials of the South” organized by Béatrice Joyeux-Prunel at the École Normale Supérieure in Paris.
From April to June 2017, head researcher of MoDe(s) Paula Barreiro López is invited at the École Normale Supérieure by the labex TransferS and Béatrice Joyeux-Prunel (IHMC) to contribute to Artl@s’ activities and to its annual seminar Biennials of the South.