Home

Art, politics and counterculture in the transatlantic axis from the Cold War to contemporaneity

Decentralized Modernities is an international research platform that brings together researchers from different centres in Europe, South and North America. In its current configuration, it develops two main lines of work. The first focuses on a comparative analysis of centres of the Atlantic axis, emphasising the forms of mediation, negotiation and resistance to the ideological, aesthetic and cultural schism of the Cold War. The second studies the impact that (social, cultural and political) forms from this historical period still have today, both on the configuration of the realities of our present time and on current artistic practices.

The idea is to highlight the links between the artistic/cultural world and social and labour, as well as national liberation and counter-cultural movements that conveyed dissident responses to the Cold War’s geopolitical order, contributing to decentralize the normative, western and colonial modernity.

Latest News

7 May, 2021

Looking at us head-on: Spain, Portugal and their images

“Looking at us head-on: Spain, Portugal and their images” will take place on June 23 and 25. This seminar is proposed as a dialogue between scholars of politics, anthropology, art, film and visual culture from Spain and Portugal, two states that have had a tense historical relationship, almost parallel dictatorial periods, and have had their backs to each other for far too long.

Read more

28 April, 2021

Archipelago Puerto Rico: [im]possible Abstractions

The 1st Conference on Art, Research and Multidisciplinary Creation entitled “Archipelago Puerto Rico: [im]possible Abstractions” (11 and 12 June) aims to critically explore the contexts that have driven or affected the creation and reception of abstraction, in order to open a space for collective reflection and conversation on new historiographical approaches and new theoretical frameworks.

Read more

Project I+D HAR2017-82755-PMinistry of Science, Innovation and Universities, Spain

Partners

Multimedia News

Katrhyn Brown 

Le pouvoir du collectionneur dans le domaine culturel : enjeux et tendances
(Grenoble, 13 April 2021)

Béatrice Joyeux Prunel

La discordance des temps mise en oeuvres. Au-delà de l’opposition stérile entre géohistoire culturelle et histoire de l’art focalisée sur les oeuvres
(Geneva, 9 November 2020)

Élodie Lebeau

Le Musée de la Solidarité Salvador Allende, de l’Unité Populaire au retour d’exil (1971-1991
(Grenoble, 8 October 2020)

To the top