Head researcher of the international platform MoDe(s) and professor of Contemporary Art at the Art History Department of the of the Université Toulouse 2 Jean Jaurès /Laboratoire FRAMESPA.
Artist, filmmaker and researcher. Professor at the Visual Arts Department of the Fine Arts Faculty of the University of Barcelona.
Assistant professor at Department of History and Art Theory at the Autonomous University of Madrid. His research and teaching focus on contemporary art practices and theories.
Assistant professor at the History and Theory of Art Department (UAM) and Guest professor at the Curating Contemporary Art Department (Royal College of Art).
Associate Professor of Aesthetics and Theory of the Arts at the University of Salamanca (USAL). Her research activity focuses on issues of literary aesthetics and contemporary art theory, with a dominant focus on the relationship between art and society.
Associate professor at the Universidad Carlos III de Madrid and a member of the project “Aesthetics Fossil” of the Consejo Superior de Investigaciones Cientificas (CSIC).
PhD candidate at the Université Grenoble Alpes under the supervision of Paula Barreiro-Lopez and Christian Joschke (Ecole Nationale Supérieure des Beaux-Arts de Paris), attached to the LARHRA.
Phd Student at the University of Toulouse 2 Jean Jaurès. She investigate the transnational network of the Taller de Gráfica Popular of Mexico City during the Cold War (1947-1963) : visual, collective and political practices.
Juan de la Cierva postdoctoral researcher in the Department of Art History and Theory at the Universidad Autónoma de Madrid (UAM). Her research focuses on artistic exchanges in Europe during the Cold War, with particular attention to the history of exhibitions and transnational circulations between the countries of the socialist bloc and Southern Europe.
Post-doctoral Fellow of the British Academy at the University of Manchester and Director of the Collège International de Philosophie.
Professor of History of Contemporary Art and Director of UCA Doctoral College, University for the Creative Arts in Canterbury (England).
Gal Kirn is an Open Topic Fellow at the TU Dresden (Slavonic and Cultural Studies).
Catedrática de español en la Universidad de Grenoble-Alpes. Miembro del laboratorio del ILCEA4 (EA 7356), miembro asociado de Pasajes XX-XXI (EA 4360).
Secondary school teacher in the Department of Philosophy at IES Arcipreste de Hita in Entrevías (Puente de Vallecas). He got is BA in Philosophy and in Social and Cultural Anthropology.
Ph.D. student at the Université de Toulouse Jean Jaurès 2 and the Université de Montréal. Her research focuses on artists and curators of Latin American origin, particularly those living in Montreal and Bordeaux since the 1990s and who regularly collaborate with art organizations created by artists from the Latin American diaspora.
Currently teaching at the Université Jean Jaurès in Toulouse. His research focuses on the study of the material aspects of art objects and their connection to decolonial and ecological aspects of the early modern period and their reflections in contemporary art production.
PhD student at the Universidad Autónoma de Madrid. She researches the relationship between contemporary thinking, literature and art in the cultural practices of the Basque Country during the second half of the 20th century.
PhD Student at the Department of Art History and Theory (UAM) where she is working toward a PhD on the institutionalization and reception of contemporary dance in museums and Spanish art centers.
PhD Candidate at the Universidad Autónoma de Madrid (UAM), where she is working on a project devoted to the phenomenon of the marginal press in the post-Franco period (1975-1981).
European Doctor in History of Art and Master in Philosophy and Social Sciences. Researcher of the Ramón y Cajal Grant Program (2018) of the Institute of History of the Spanish National Research Council. Member of the Southern Conceptualisms Network.
PhD candidate at the Universidad de Barcelona and Université Grenoble Alpes. She researches the transformation of the biennial model and the transnational networks between biennials in Latin America, the Caribbean and Europe.
Member of CONICET as a researcher at the Institute of Advanced Studies in Social Sciences of the National University of San Martín (IDAES-UNSAM), Argentina and Phd in Art History from the University of Buenos Aires
PhD in Art History (International Mention) in the Society and Culture Programme at the Universitat de Barcelona. He holds a Master’s degree in Advanced Studies in Art History and a Bachelor’s degree in Fine Arts, both from the Universitat de Barcelona.
Associate Researcher at the National Scientific and Technical Research Council in Argentina. Associate professor at the Universidad Nacional de Tres de Febrero in Buenos Aires.
PhD candidate at the Artistic, Literary and Cultural Studies Program in the Autonomous University of Madrid. His research focuses on the effects of the nationalist ideological agenda over the Puerto Rican
Art History Professor at the Universidad Carlos III de Madrid. His main fields of research are art criticism and history, as well as film, cultural and visual studies. Much of his work deals with the transitional period in Spain, with special attention to the narratives, the media, the institutions and the ideological debates that shaped it.
PhD in Art History (Universidad Autónoma de Madrid). Her research interests focus on the historiography of contemporary Spanish art, visual culture and the relationships between art, politics and social movements in Spain since the 1970s.
Margarita Salas postdoctoral researcher and PhD in Philosophy at the Universidad Autónoma de Madrid (UAM). Much of his research has been devoted to the political uses of literature during the last years of Franco’s regime.