Head researcher of the international platform MoDe(s) and professor of Contemporary Art at the Art History Department of the of the Université Toulouse 2 Jean Jaurès /Laboratoire FRAMESPA.
Artist, filmmaker and researcher. Professor at the Visual Arts Department of the Fine Arts Faculty of the University of Barcelona.
Assistant professor at Department of History and Art Theory at the Autonomous University of Madrid. His research and teaching focus on contemporary art practices and theories.
Currently teaching at the Université Jean Jaurès in Toulouse. His research focuses on the study of the material aspects of art objects and their connection to decolonial and ecological aspects of the early modern period and their reflections in contemporary art production.
Assistant professor at the History and Theory of Art Department (UAM) and Guest professor at the Curating Contemporary Art Department (Royal College of Art).
Director of the Department of Art History at the UCM. Coordinator of the Master’s Degree in History of Contemporary Art and Visual Culture at the Complutense University.
Professor and coordinator of the Art History program at Saint Louis University, Madrid. Terra Foundation Senior Fellow at the Smithsonian American Art Museum.
Associate Professor of Art History and Museum Studies at New York University. She is author of Visual Propaganda, Exhibitions, and the Spanish Civil War (Ashgate, 2013).
Assistant professor in the Biology Department at the Universidad Autónoma of Madrid. Ph.D in Paleontology, expert in Geographic Information Systems (GIS).
Professor of anthropology and visual culture at New York University–Madrid, director of photography and film projects and founder of the visual research collective.
Professor of History of Contemporary Art and Director of UCA Doctoral College, University for the Creative Arts in Canterbury (England).
Researcher, curator and Assistant Professor at the Open University of Catalonia. Ph.D in Fine Arts from the Complutense University in Madrid.
Professor of contemporary art history at the Ecole Normale Supérieure in Paris since 2007, she received the qualification to direct research (HDR) in 2015.
FCT Researcher at the Art History Institute at Nova University in Lisbon.
Associate Researcher at the National Scientific and Technical Research Council in Argentina. Associate professor at the Universidad Nacional de Tres de Febrero in Buenos Aires.
European Doctor in History of Art and Master in Philosophy and Social Sciences. Researcher of the Ramón y Cajal Grant Program (2018) of the Institute of History of the Spanish National Research Council. Member of the Southern Conceptualisms Network.
Member of CONICET as a researcher at the Institute of Advanced Studies in Social Sciences of the National University of San Martín (IDAES-UNSAM), Argentina and Phd in Art History from the University of Buenos Aires
Catedrática de español en la Universidad de Grenoble-Alpes. Miembro del laboratorio del ILCEA4 (EA 7356), miembro asociado de Pasajes XX-XXI (EA 4360).
Associate professor at the Universidad Carlos III de Madrid and a member of the project “Aesthetics Fossil” of the Consejo Superior de Investigaciones Cientificas (CSIC).
Post-doctoral Fellow of the British Academy at the University of Manchester and Director of the Collège International de Philosophie.
Gal Kirn is an Open Topic Fellow at the TU Dresden (Slavonic and Cultural Studies).
PhD candidate at the Universidad de Barcelona and Université Grenoble Alpes. She researches the transformation of the biennial model and the transnational networks between biennials in Latin America, the Caribbean and Europe.
PhD in Art History from the University of Barcelona and the University of Grenoble Alpes (2021). Her research focuses on artistic exchanges in Europe during the Cold War, with particular attention to the history of exhibitions and transnational circulations between the countries of the socialist bloc and Southern Europe.
PhD in Art History (International Mention) in the Society and Culture Programme at the Universitat de Barcelona. He holds a Master’s degree in Advanced Studies in Art History and a Bachelor’s degree in Fine Arts, both from the Universitat de Barcelona.
PhD candidate in Artistic, Literary and Cultural Studies at the Autonoma University of Madrid, Spain.
PhD candidate at the Artistic, Literary and Cultural Studies Program in the Autonomous University of Madrid. His research focuses on the effects of the nationalist ideological agenda over the Puerto Rican
She is a master student at Paris 1 Panthéon Sorbonne University. Her master thesis analyses the uses of urban performances in Chile through since the Pinochet’s coup d’état in 1973.
PhD Student at the Department of Art History and Theory (UAM) where she is working toward a PhD on the institutionalization and reception of contemporary dance in museums and Spanish art centers.
Master’s student at the University of Paris 1 Panthéon Sorbonne. Her first master’s thesis focused on the engaged discourses produced and disseminated in France by the Taller de Gráfica Popular, a collective graphic workshop in Mexico City (1937-1960).
PhD candidate at the Université Grenoble Alpes under the supervision of Paula Barreiro-Lopez and Christian Joschke (Ecole Nationale Supérieure des Beaux-Arts de Paris), attached to the LARHRA.