Paula Barreiro López

Head researcher of the international platform MoDe(s) and professor of Contemporary Art  at the Art History Department of the of the Université Grenoble-Alpes/Laboratoire LARHRA UMR 5190. Since 2007 she has worked at several European research institutions and universities in France, the U.K., Switzerland and Spain, including the Institut National d´Histoire de l´Art [INHA] in Paris, the University of Liverpool, the Université de Genève and the Instituto de Historia of the Consejo Superior de Investigaciones Científicas [CSIC] in Madrid and, recently at the University of Barcelona (Ramón y Cajal programme).

Her research focuses on art criticism, cultural networks and politics in Spain, Western Europe and Latin America during the Cold War as well as the diverse and divergent developments of modernity reflected in the art historic accounts within an increasingly globalised world. Her publications include the books Avant-garde Art and Criticism in Francoist Spain, 2017; Modernidad y vanguardia: rutas de intercambio entre España y Latinoamérica, 2015 (edited with Fabiola Martínez); Crítica(s) de arte: discrepancias e hibridaciones de la Guerra Fría a la globalización, 2014 (edited with Julián Díaz) and La abstracción geométrica en España, 2009. She forms part of the research group Art, Globalization and Interculturality at the University of Barcelona, the research group Península. Procesos coloniales y prácticas artísticas y curatoriales (Centro de Estudios, Museo Reina Sofía) and the cultural and scientific committee of the Archives de la Critique d´Art in Rennes as well as member of the editorial board of the journal Critique d´Art.

Publications

Barreiro López, P., Avant-garde Art and Criticism in Francoist Spain, Liverpool, Liverpool University Press, 2017.

Barreiro López, P., “Algarabía tropical en la vanguardia: Wifredo Lam, la izquierda cultural española y la Cuba revolucionaria”, in Catherine David (com.), Wifredo Lam, Madrid, Museo Nacional Centro de Arte Reina Sofía, 2016, pp. 35-41.

Barreiro López, P., “Collectivization, participation and dissidence on the transatlantic axis during the Cold War: Cultural Guerrilla for destabilizing the balance of power in the 1960s”, in Culture & History Digital Journal , 4 (1), 2015, e007.

Barreiro López, P. and Martínez, F. (eds.), Modernidad y vanguardia: rutas de intercambio entre España y Latinoamérica (1920-1970), Madrid, Museo Reina Sofía, 2015 [ISBN: 978-84-8026-515-7] (38 authors). 382 p.

Barreiro López, P., “Reinterpreting the past – The baroque phantom during the Franco regime”, in Bulletin of Spanish Studies, Special issue “The baroque in the Construction of a National Culture in Francoist Spain” (Paula Barreiro López, Carey Kasten y Tobías Locker (eds.)), nº 5, June 2014, pp. 715-734.

Barreiro López, P. and Díaz, J. (eds.), Crítica(s) de arte: discrepancias e hibridaciones de la guerra fría a la globalización. Murcia, CENDEAC, 2014. [ISBN: 978-84-15556-13-8] (20 authors), 429 p.

Barreiro López, P., La abstracción geométrica en España (1957-1969). Madrid, CSIC, 2009. [ISBN: 978-84-00-08875-0]. 445 p.

Barreiro López, P., Arte Normativo Español. Procesos y principios para la creación de un movimiento. Madrid, CSIC, 2006. 163 p. [ISBN 13: 978-84-00-08410-3; ISBN 10: 84-00-08410-1].

Publications

Significant Publications