Decentralizing the accounts of 1968, both chronologically and geographically, this seminar proposes to explore the role of ‘the other’ in the configuration of the movements of revolt of the 1960s, tracing the political genealogies and utopian horizons that were conceived and are still visible (and claimed) in contemporary times. While Kristin Ross denounced the depoliticization of … Continue reading Spectres of others ’68: Aesthetic Genealogies and Global Activism
The concept of work has undergone several changes over the course of history. These changes not only refer to a relationship with the different ruling economic models, they are also related to transformations in the way of thinking, feeling and being of the human being. In other words, we have also to consider work as … Continue reading Scenarios, representations and transformations of work in the global world
This seminar questions the variable geographies of the new composition of labour, opening up debates and questions that tackle the transformations in the composition of the force of labour, in the dynamics of capitalist valorisation, in the lines of conflict and in the processes of constitution of subjectivities.
Several workers, artists, graphic designers and architects militated within operaism and workers’ autonomy. The activist, the worker and the monster focuses on the sixties and seventies, more particularly on activist iconography that some artists have developed in magazines such as “classe operaia”, “Potere Operaio” and “Lotta Continua”. How can we interpret these works? This intervention … Continue reading Le militant, l’ouvrier et le monstre. Iconographie d’un mouvement révolutionnaire (1964-1977)
In this seminar Jacopo Galimberti will address the militant iconography of the 1960s and 1970s, developed by artists and architects in journals such as “classe operaia”, “Potere Operaio” and “Lotta Continua”. On November 9th, at the University of Grenoble-Alpes.
In Madrid on October 17th, this seminar will focus on the connections between political transitions in Spain, Portugal and Greece, reconsidering their political and cultural legacies, artistic projects that have considered their memories, as well as echoes of those processes in the present.
Forty years after the approval of the Spanish Constitution, which opened the door to the democratization of the country and replaced a Bourbon at the head of state, the transition continues to be a disputed territory, a historical signifier that can be linked to other different meanings in order to take a stand and gain … Continue reading Contemporaneity and transition: perspectives from the South of Europe
In the framework of the seminar “1959-1985, au prisme de la Biennale de Paris”, this session aims to discuss the symbolic, cultural and political value of the Paris Biennale from the 1950s to the 1970s, and its reception in two totalitarian contexts on both sides of the Iron Curtain: Spain and Poland.
The seminar Transatlantic Episodes (1950-1977): Crossings between art, politics and culture during the Cold War in Spain and Latin America will be given by Paula Barreiro López at the Faculty of Fine Arts of the Universidad Nacional de La Plata, Argentina.