Le camarade Pi©a$$o au carrefour des cultures des résistances

  “For us, Picasso was everything: he helped us financially, he was the “red one” (rojo), the communist and also the one who had painted Guernica”. The Spanish philosopher Francisco Fernández Buey, who studied at the University of Barcelona in the 1970s, defined in these terms the key role of Pablo Picasso and Guernica as … Continue reading Le camarade Pi©a$$o au carrefour des cultures des résistances

Report – Critical imaginaries and expanded semantic fields from the Cold War to contemporaneity #2

The workshop was conceived as a space in which to promote and plan the work of researchers in the framework of the project MoDe(s) 2. One of the main objectives of the project is to draw up a glossary of concepts that allow us to understand the cultural tensions that are going through the Cold War and that continue to reverberate in contemporary times.

MoDe(s): second round 2018-2020!

The research project MoDe(s)-Decentralized Modernities: Art, Politics and Counterculture in the Transatlantic Axis during the Cold War is continuing with its second phase: MoDe(s)2 (2018-2020). MoDe(s)2 incorporates new themes and focuses of attention, new team members, and has already an exciting program of upcoming activities. Have a look at them!

Report – Critical imaginaries and expanded semantic fields (Robledo de Chavela, July 2018)

The workshop of MoDe(s) 2 ” Critical imaginaries and expanded semantic fields from the Cold War to contemporaneity”, held in Robledo de Chavela (July 16-18, 2018), had as objective to lay the basis of the research project for the next three years. It was, therefore, an internal workshop where we presented the research topics that will be developed in this second phase.