The seminar “Beyond the Exhibition: a Transnational and Polyphonic Approach to their Histories from the Cold War to our Time” (9 September 2022, Universidad Autónoma de Madrid) seeks to discuss the potentialities and limitations of exhibitions, understanding them both as a tool to destabilize the Eurocentric narrative and the hegemonic exhibition format, and as a space traversed by geopolitical issues and tensions
Until 4 September 2022, the exhibition “The rules of the game” at the Es Bauldar Museu d’Art Contemporani de Palma. This new audiovisual production of María Ruido explore difficulties, conflicts and contradictions in class and gender as found in work situations in the art and culture sector.
The exhibition “Earthkeeping, Earthshaking – art, feminisms and ecology” presents art works and ephemera by artists who questioned our individual and collective relationships with nature and the environment, and the dichotomies between nature and culture.
Presented at the CA2M Centro de Arte Dos de Mayo in the Comunidad de Madrid, the exhibition Miguel Trillo.Double Exposure curated by Juan Albarrán offered a reconstruction of the first two solo exhibitions by Miguel Trillo (Jimena de la Frontera, Cádiz, 1953): PopPurri. Dos años de música pop en Madrid in the Ovidio Gallery in … Continue reading Miguel Trillo. Double Exposure
Until March 4th, the exhibition curated by Olga Fernández López at CAAC Sevilla presents artists who try to visibilize some of the silences, misunderstandings or undeveloped possibilities of writings from the past, opening a reflection on exhibitions of the 20th century as devices for producing subjectivities, experiences and discourses.
The exhibition on view from June to October 2017, curated by Juan Albarrán seeks to recontextualise Trillo’s early works within the framework of the history of recent photography and against its relationship with 1980 subcultures.
Until August 15, 2016, the Museo Nacional Centro de Arte Reina Sofía in Madrid presents an important exhibition of Wifredo Lam (Sagua La Grande, 1902 – Paris, 1982), covering multiple aspects of the trajectory of the Cuban artist. The exhibition catalogue includes an essay by Paula Barreiro López.