On Solidarity – The Dilemma of State-Sponsored Exhibitions and Contemporary Questions

On April 25, 2023, the panel discussion “On Solidarity – The Dilemma of State-Sponsored Exhibitions and Contemporary Questions” will take place. This panel will count with the participation of Amin Alsaden, Yazid Anani, Naeem Mohaiemen and Eszter Szakács, who will talk about their research and work on solidarity, and the moderation of Paula Barreiro López.

From Biennale to biennials. The impossible desire

The international conference “From Biennale to biennials. The impossible desire” will take place at the University Ca’ Foscari Venezia (April 26 – 28, 2023). This conference aims to create a space for reflection and dialogue on the term ‘biennial,’ the biennial phenomenon, and the individual and collective histories of biennials that took place between the 1930s and the 1980s.

Creative and collaborative practices in the making of the commons: politics, discourse and performativity

The seminar “Creative and collaborative practices in the making of the commons: politics, discourse and performativity” (Les Abattoirs, 7 April 2023) proposes a transnational study of the configuration and implementation of collective community organizations and aims to interrogate their spaces and their cultural and visual productions (visual and performing arts, graphic production, posters, photography, cinema and videos) as well as their contribution to the configuration of new practices and collective consciousness (gender, class, race) throughout the 20th and 21st centuries.

Workshop – Using GIS in art history: the example of the Decentralized Modernities Platform

Noa Buffavand (Université París 1 Panthéon Sorbonne) will participate to the 2e congrès Rotondes des jeunes chercheurs et chercheuses en Histoire de l’art et archéologie (31 March 2023, INHA) with the workshop “Using GIS in art history: the example of the Decentralized Modernities Platform”. The workshop seek to propose an example of methodology, based on digital humanities, for the de-canonization of the notion of “center/peripheries” and for the conception of a horizontal history of art.

Unspoken Identities

‘Unspoken Identities’ (15.02.2023 – 31.03.2023, Ana Mas Projects), curated by Abdiel. D. Segarra, responds to the interest in engaging in dialogues that can help to build a new perspective on the art from the Caribbean and its diasporas. It is possibly the first curatorial project dedicated to this matter presented by a gallery in Europe.

Living archive of revolt. Dissident Aesthetics of the Chilean October

From the 18th to the 24th of January 2023 will take place the congress “Vital archive of the revolt. Dissident Aesthetics of the Chilean October” (Aix-Marseille Université / Université Grenoble Alpes) that aims to study the different visual strategies developed and deployed during the massive Chilean social movement, called “estallido social”, which took place between October 2019 and March 2020.

Screening – The Revolution (is) probable

The audiovisual essay “The Revolution (is) probable” by Lee Douglas, Maria Ruido and Paula Barreiro Lopez will be presented at the Cinemateca Portuguesa on 29 September 2022 at 6:30 pm. This audiovisual essay is a reflection on the political force of images, on the legacy they leave us, and on the role of archives, film, the media and representation in general in our contemporary struggles.

The Ways of Archiving. Practices, Conditions and Discourses around the Study of Arts and Culture

The International PhD Workshop  “The Ways of Archiving. Practices, Conditions and Discourses around the Study of Arts and Culture” will take place in Madrid (12-13 September) and Grenoble (15 – 16 September). The Workshop seeks to offer a critical and transversal approach to intrinsic and current issues related to the archival device and its associated practices.