Art History Professor at the Universidad Carlos III de Madrid. His main fields of research are art criticism and history, as well as film, cultural and visual studies. Much of his work deals with the transitional period in Spain, with special attention to the narratives, the media, the institutions and the ideological debates that shaped it. He is the author of the books Crítica y pintura en los años ochenta (2007) and Alberto Solsona (2013), and has also collaborated in key collective works on Spanish Contemporary art, such as Desacuerdos 8 (2014), Arte en el Franquismo: tendencias al margen de una ideología de estado (2015), Arte y Transición (2nd ed., 2018) or Making Art History in  Europe After 1945 (2nd ed., 2022).