The conference organized by the Department of Art History of the University of Vienna proposes to reflect on the experience of 1968 and its resonances in different cultural and geopolitical contexts. With the participation of Ekaterina Degot, Sven Lütticken, Paula Barreiro López, Gal Kirn, Caroline Lillian Schopp and Daniel Grúň.
The latest news
MoDe(s): second round 2018-2020!
The research project MoDe(s)-Decentralized Modernities: Art, Politics and Counterculture in the Transatlantic Axis during the Cold War is continuing with its second phase: MoDe(s)2 (2018-2020). MoDe(s)2 incorporates new themes and focuses of attention, new team members, and has already an exciting program of upcoming activities. Have a look at them!
Seminar Contemporaneity and transition: perspectives from the South of Europe
In Madrid on October 17th, this seminar will focus on the connections between political transitions in Spain, Portugal and Greece, reconsidering their political and cultural legacies, artistic projects that have considered their memories, as well as echoes of those processes in the present.
Conference in Beirut: The Tricontinental Effect – 17 September 2018
Head researcher of MoDe(s) Paula Barreiro López will give the conference “The Tricontinental Effect: Guerrilla Tactics, Solidarity, and Artistic Activism in the Global Cold War” at the Sursock Museum in Beirut.
Report – Critical imaginaries and expanded semantic fields (Robledo de Chavela, July 2018)
The workshop of MoDe(s) 2 ” Critical imaginaries and expanded semantic fields from the Cold War to contemporaneity”, held in Robledo de Chavela (July 16-18, 2018), had as objective to lay the basis of the research project for the next three years. It was, therefore, an internal workshop where we presented the research topics that will be developed in this second phase.
Conclusions of the doctoral seminar (6-7 March)
Kate Domin gives us a summary of our doctoral seminar of 6 and 7 March, which aspired to open lines of discussion on the tools and methodological resources involved in the task of creating a transnational history of art. In addition, participants’ bibliography is shared.
Seminar: the Paris Biennial on both sides of the Iron Curtain
In the framework of the seminar “1959-1985, au prisme de la Biennale de Paris”, this session aims to discuss the symbolic, cultural and political value of the Paris Biennale from the 1950s to the 1970s, and its reception in two totalitarian contexts on both sides of the Iron Curtain: Spain and Poland.
Seminar in La Plata, Argentina. 6-7 April
The seminar Transatlantic Episodes (1950-1977): Crossings between art, politics and culture during the Cold War in Spain and Latin America will be given by Paula Barreiro López at the Faculty of Fine Arts of the Universidad Nacional de La Plata, Argentina.
Multimedia updates: Questioning the great divide(s) during the Cold War
The sound recording of the workshop “Questioning the great divide(s) during the Cold War: a tool box for a transnational history of art” (Universitat de Barcelona, 6-7 March 2018) are now available in our multimedia section.