Doctoral Seminar/Workshop:Cold Atlantic. Cultural War, Dissident Artistic Practices, Networks and Contact Zones at the Time of the Iron Curtain.
University of Barcelona, Spain. 8-9 September 2016
The University of Barcelona, Saint Louis University (Madrid) and the Universidad Autonoma de Madrid invite doctoral students in art history or related disciplines to participate in a doctoral seminar/workshop at the University of Barcelona (8-9 September).This academic event has been planned to coincide with an international conference at the Reina Sofia Museum in Madrid (5-7 September) (http://www.museoreinasofia.es/en/activities/cold-atlantic). Both seminar and conference are part of an international project entitled Cold Atlantic. Cultural War, Dissident Artistic Practices, Networks and Contact Zones at the Time of the Iron Curtain which has been generously funded by the Terra Foundation for American Art.
The seminar/workshop is aimed at doctoral students working on topics related to the conference and its four thematic axes. Based on the current research of the selected participants, the seminar-workshop will serve as a platform to discuss the transatlantic exchanges between North America, Europe, Africa and Latin America bringing into the fore other hubs of artistic exchange and influence, aiming not just to de-center the (still predominant) Paris-New York axis, but also to foster a discussion that gives a voice to cultural expressions that were generated outside the official power structures. Parting from the destabilization of the status quo, with the Bandung conference in 1955 and Hungarian revolution in 1956, we aim to emphasize forms of mediation, dissidence and resistance that offered alternative responses to the ideological and aesthetic schism that dominated social, political, artistic and curatorial practices after WWII.
The seminar will be structured around the four thematic axes of the conference giving particular emphasis to methodological and theoretical questions.
Networks and ‘contact zones’ for a non-aligned geopolitical order
From the 1955 conference of Bandung, the Non-Aligned Movement (NAM) offered an alternative to the bipolar division of the world imposed by the two superpowers. The choice to look for another configuration of the world did not just create a league of peripheral nation-states but inspired as well cultural and artistic formations. This priority axis of Cold Atlantic aims to encourage transnational studies seeking to expose the networks of collaboration and contact zones developed by artists, critics, curators or institutions in dialogue with or inspired by the NAM. Thus, we hope to reveal the way in which these alternative constellations contributed to the development of a transatlantic (and transcontinental) culture and to show in how far those entanglements helped to subvert the bipolar geographies of the Cold War.
Resistance, dissidence and utopia(s)
In a world where imperialist and neo-colonial politics were imposed on both sides of the iron curtain, artistic practices provided ways to resists, subvert and combat them. This priority axis of Cold Atlantic aims to study vanguard and experimental artistic practices analyzing their aesthetic, political and social bases (and contexts), and their role as models for resistance against the normative culture(s) of the Cold War. Thus we seek to highlight the role of artistic production and cultural agents, operating in both, hegemonic and subaltern centers, as subversive tools in countercultural movements within the transatlantic axis, and to show their potential for imagining alternative forms of society.
Competing hegemonies
The Cold War, with its primary opposition between two superpowers (the USA and the USSR), provided the bilateral framework for the aspirations of governments and oppositional elites to be “modern”. Negotiations between different notions of modernity and the terms and conditions of the local contexts resulted in a wide range of often contradictory aesthetic discourses and artistic practices. Claims for autonomy, sovereignty and progress coincided with a need to be recognized as members of the new geopolitical order. This priority axis of Cold Atlantic aims to discuss, from a pluralistic angle, the exchanges, negotiations and confrontations that the battle for cultural hegemony entailed, giving rise to the emergence of various geopolitical powers in the increasingly globalizing arena of the Cold War.
Global order: Cold War and beyond
In 1967 the French philosopher Guy Debord understood the bipolar division of the world between capitalism and communism as an interdependent and global system of a total spectacle. He quickly felt that the complex geopolitical entanglements that the political, economic and cultural spheres entailed, accelerating with the radical development of market -communication- and media networks, were evolving into a single totality; the latter, in fact, becoming greatly responsible for shaping today’s globalized world. This priority axis of Cold Atlantic considers the entanglements and dialogues between artistic and cultural spheres during the Cold War, and their persistence in the contemporary world. It seeks to show in how far transatlantic configurations, in the transition from modernity to post-modernity, inform today’s global order.
The seminar will be arranged as a series of workshops and round tables that will allow PhD students to discuss their work with established academics who have been invited to participate in both events (conference and seminar). With this it hopes to create a space for intellectual exchange where doctoral students will share their work and provide feedback, ideas and suggestions to their peers. Participants will be divided into small working groups to facilitate discussion, but there will be joint activities such as roundtables, guest talks, and a guided visit of an exhibition in Barcelona. Since this seminar is thought as an integral part of Cold Atlantic students will be expected to attend the international conference in Madrid. The selected participants will receive a stipend to help towards travel expenses (see below).
Confirmed invited scholars: Andrea Giunta, Serge Guilbaut, Michael Wellen, and Jonathan Harris.
Submission and presentation guidelines
Doctoral students in art history, visual and cultural studies, architecture, literature, museum studies, and related disciplines from all over the world are invited to submit proposals. Papers most address topics that are relevant to the conceptual parameters of the conference and its thematic sessions. Fifteen international students will be invited to take part, and the official language of the seminar will be English. Those selected will receive a stipend to help towards travel expenses. Accommodation and meals during the days of the seminar as well as travel from Madrid to Barcelona will be covered by the organizers.
To apply please submit the following documents:
-A letter of introduction stating the relevance of your work to the thematic content of the conference (one page).
-Two-page CV
-A summary of your current research and its relevance to the session to which you wish to apply (two pages)
-A letter of recommendation from your academic supervisor and contact information of a professor or researcher that could give references about the candidate.
All of this information must be submitted as a single PDF document to cold.atlantic.2016@gmail.com using as your subject ‘Seminar Cold Atlantic’ and stating the number of the session you are applying for.
Deadline for submissions: 15 March 2016
Papers will be reviewed by the international academic committee of Cold Atlantic and the results will be announced by April 2016.
Organizing Committee:
Paula Barreiro López (Universidad de Barcelona), Fabiola Martínez Rodríguez (Universidad de Saint Louis, Madrid), Olga Fernández López (Universidad Autónoma de Madrid), Juan Albarrán (Universidad Autónoma de Madrid), Chema González (Museo Reina Sofía) and Carlos Pietro del Campo (Museo Reina Sofía)
This conference has been generously funded by the Terra Foundation for American Art, and it is linked to the research project: Decentralized Modernities: art, politics and counterculture in the transatlantic axis during the Cold War (HAR2014-53834-P).
Related activities: International Conference at the Museum Reina Sofia (5-7 September 2016)
