Counter – Archive

The Internationa Symposium “Counter – Archive” will take place on 29 and 30 April 2021 at ICI Berlin. Some questions analyzed during the symposium will be how can counter-archives connect the testimonies and legacies of past struggles with the victims of today’s oppression and what kind of power struggles are produced by counter-archives, and how do they manage to draw attention to what has been lost, overlooked, reduced, suppressed, or omitted from national archives and established historiography.

From private to public. Issues and strategies in the presentation of private collections of modern and contemporary art in public institutions

Organized within the framework of the exhibition “Giorgio Morandi. Luigi Magnani’s collection” at the Musée de Grenoble (December 12, 2020 – April 18, 2021), this one-day conference aims to bring together recent reflections about strategies for the presentation of private collections of contemporary art (20th-21th centuries) in French and international museums and private institutions.

Contra vientos y mareas: Venezia & Veniceland

Taking as a starting point the exemplary case of Venice, this seminar aims to analyze the genesis and development of the touristification and commercialization of the city, as well as the role of artists, curatorial projects and its residents in the regeneration of the social and urban context and in claiming the right to the city.

Le Musée de la Solidarité Salvador Allende, de l’Unité Populaire au retour d’exil (1971-1991)

On October 8, 2020 Élodie Lebeau (Université de Toulouse 2 Jean-Jaurès / Instituto de Historia de La Pontificia Universidad Católica de Chile) will participate in the seminar “Cultures Visuelles Militantes” of the University Grenoble Alpes with the lecture “Le Musée de la Solidarité Salvador Allende, de l’Unité Populaire au retour d’exil (1971-1991)”.

Resonances/disonances of history and memory in global contemporaneity

In recent years many creators have been interested in the historical processes that occurred in the second half of the twentieth century or in the consequences they continue to have today, sometimes due to the contradictions that were generated at that time or conflicts that remain unresolved. In these works, contemporaneity is addressed from a … Continue reading Resonances/disonances of history and memory in global contemporaneity

Le camarade Pi©a$$o au carrefour des cultures des résistances

“For us, Picasso was everything: he helped us financially, he was the “red one” (rojo), the communist and also the one who had painted Guernica”. The Spanish philosopher Francisco Fernández Buey, who studied at the University of Barcelona in the 1970s, defined in these terms the key role of Pablo Picasso and Guernica as left … Continue reading Le camarade Pi©a$$o au carrefour des cultures des résistances

Une généalogie des révoltées du surréalisme à l’Internationale Situationniste, 1920-1978 – Militant Visual Cultures Seminar

Download the poster Through the study of models and images of women, this conference (organized as part of the seminar Militant Visual Cultures) seeks to show how a history of the avant-garde groups was built. While these groups were almost exclusively composed of men, their purpose was to reclaim and promote universal, and undoubtedly legitimate, … Continue reading Une généalogie des révoltées du surréalisme à l’Internationale Situationniste, 1920-1978 – Militant Visual Cultures Seminar

Spectres of others ’68: Aesthetic Genealogies and Global Activism. January 9-10th, 2019 in Barcelona

Decentralizing the accounts of 1968, both chronologically and geographically, this seminar proposes to explore the role of ‘the other’ in the configuration of the movements of revolt of the 1960s, tracing the political genealogies and utopian horizons that were conceived and are still visible (and claimed) in contemporary times. While Kristin Ross denounced the depoliticization of … Continue reading Spectres of others ’68: Aesthetic Genealogies and Global Activism. January 9-10th, 2019 in Barcelona