This seminar questions the variable geographies of the new composition of work, opening up debates and questions that tackle the transformations in the composition of the workforce, in the dynamics of capitalist valorisation, in the lines of conflict and in the processes of constitution of subjectivities.
In Madrid on October 17th, this seminar will focus on the connections between political transitions in Spain, Portugal and Greece, reconsidering their political and cultural legacies, artistic projects that have considered their memories, as well as echoes of those processes in the present.
The concept of work has undergone several changes over the course of history. These changes not only refer to a relationship with the different ruling economic models, they are also related to transformations in the way of thinking, feeling and being of the human being. In other words, we have also to consider work as … Continue reading Scenarios, representations and transformations of work in the global world
Forty years after the approval of the Spanish Constitution, which opened the door to the democratization of the country and replaced a Bourbon at the head of state, the transition continues to be a disputed territory, a historical signifier that can be linked to other different meanings in order to take a stand and gain … Continue reading Contemporaneity and transition: perspectives from the South of Europe
Kate Domin gives us a summary of our doctoral seminar of 6 and 7 March, which aspired to open lines of discussion on the tools and methodological resources involved in the task of creating a transnational history of art. In addition, participants’ bibliography is shared.
In the framework of the seminar “1959-1985, au prisme de la Biennale de Paris”, this session aims to discuss the symbolic, cultural and political value of the Paris Biennale from the 1950s to the 1970s, and its reception in two totalitarian contexts on both sides of the Iron Curtain: Spain and Poland.
The seminar Transatlantic Episodes (1950-1977): Crossings between art, politics and culture during the Cold War in Spain and Latin America will be given by Paula Barreiro López at the Faculty of Fine Arts of the Universidad Nacional de La Plata, Argentina.
On January 25th, Paula Barreiro López’s conference at the Edinburgh College of Art will address the processes of negotiation amongst art critics, artists and cultural agents during Late Francoism (1959–1975), highlighting questionings raised by the link between art and (left-wing( ideology.
[:en]On 18 and 19 January 2018, Artl@s project in collaboration with other organizations, organizes the encounter “Le defi de Caliban” (Caliban’s challenge) at the ENS Paris. Addressing artistic and literary debates on “the South”, this encounter will raise the question of its definitions through the lens of creation, examining the challenges and limits of such discourses.[:]