Through, from, to Latin America: Networks, circulations and artistic transits from the 1960s to the present

This 2-days conference in Lisbon (27-28 November 2017) aims at opening a critical space of debate to discuss the role of different forms of dislocation – such as artistic migrations, exiles, networking, circulations of ideas and theoretical articulations, artworks and exhibitions – in the shaping of contemporary art in and beyond Latin America.[:]

Symposium “Mexican/US art and artists crossing borders” at the Smithsonian

Fabiola Martínez Rodríguez will participate in the symposium “A line that birds cannot see”: Mexican/US Art and Artists Crossing Borders in the 20th Century, organized at the Smithsonian American Art Museum on November 3rd, 2017 with the lecture “Between Figuration and Abstraction: The Cultural Cold War and Tamayo’s Art in the 1950s.”[:]

CFP International conference “Through, From, To Latin America”. Lisbon, 27-28 November 2017

Don’t hesitate to read, share and answer to the Call for Papers for the project “Through, From, To Latin America: Networks, circulations and artistic transits from the 1960s to the present”, conceived as an international conference and a set of workshops in the field of curating, artistic practice and art history.

Videos of the IV International Meeting on Digital Art History and Artistic Culture (Málaga, Dec. 2016)

The video recordings of the IV International Meeting on Digital Art History and Artistic Culture (December 15th to 17th, 2016, Málaga) are available online! MoDe(s) participated in the session “Digital Methodologies and Epistemological Transformations in Art-Historical Scholarship.”

MoDe(s) at the IV International Meeting on Digital Art History in Malaga

This Meeting in Malaga from December 15th to 17th, 2016 develops a forum to discuss researches and projects developed at the intersection between art historical studies, computational technologies and digital media. MoDe(s) is participating with the lecture “Exploring Digital Resources to Map Art, Counterculture and Politics during the Cold War.”