Equipo Comunicación. Antifranquismo, edición, debate (1968-1979)

The exhibition “Equipo Comunicación. Antifranquismo, edición, debate (1968-1979)” ( Sala de exposiciones UAM, October 28 – December 6, 2024) aims to recover the editorial and intellectual activity of Equipo Comunicación, relating it to the movement of non-tenured professors (PNN, profesores no numerarios) of the Autonomous University of Madrid.

Beyond the Exhibition: a Transnational and Polyphonic Approach to their Histories from the Cold War to our Time

The seminar “Beyond the Exhibition: a Transnational and Polyphonic Approach to their Histories from the Cold War to our Time” (9 September 2022, Universidad Autónoma de Madrid) seeks to discuss the potentialities and limitations of exhibitions, understanding them both as a tool to destabilize the Eurocentric narrative and the hegemonic exhibition format, and as a space traversed by geopolitical issues and tensions

Miguel Trillo. Double Exposure

Presented at the CA2M Centro de Arte Dos de Mayo in the Comunidad de Madrid, the exhibition Miguel Trillo.Double Exposure curated by Juan Albarrán offered a reconstruction of the first two solo exhibitions by Miguel Trillo (Jimena de la Frontera, Cádiz, 1953): PopPurri. Dos años de música pop en Madrid in the Ovidio Gallery in … Continue reading Miguel Trillo. Double Exposure

A Thousand Roaring Beasts: Display Devices for a Critical Modernity

Until March 4th, the exhibition curated by Olga Fernández López at CAAC Sevilla presents artists who try to visibilize some of the silences, misunderstandings or undeveloped possibilities of writings from the past, opening a reflection on exhibitions of the 20th century as devices for producing subjectivities, experiences and discourses.

Wifredo Lam at Reina Sofía Museum: exhibition and catalogue

Until August 15, 2016, the Museo Nacional Centro de Arte Reina Sofía in Madrid presents an important exhibition of Wifredo Lam (Sagua La Grande, 1902 – Paris, 1982), covering multiple aspects of the trajectory of the Cuban artist. The exhibition catalogue includes an essay by Paula Barreiro López.