The seminar “Equipo Comunicación, in Context: Anti-Francoism, Publishing, and Cultural Critique” (Madrid, 6-8 November 2024) aims to recover and contextualize the work of Equipo Comunicación, revisiting the collective as a crucial agent in shaping an anti-Francoist and proto-democratic cultural sphere.
Université Grenoble Alpes
The Ways of Archiving. Practices, Conditions and Discourses around the Study of Arts and Culture
The International PhD Workshop “The Ways of Archiving. Practices, Conditions and Discourses around the Study of Arts and Culture” will take place in Madrid (12-13 September) and Grenoble (15 – 16 September). The Workshop seeks to offer a critical and transversal approach to intrinsic and current issues related to the archival device and its associated practices.
Cartographic Narratives: Trajectories of Cultural Agents and Artifacts in the Atlantic Space
The doctoral seminar “Cartographic Narratives: Trajectories of Cultural Agents and Artifacts in the Atlantic Space” (Université Grenoble Alpes, 8 July 2022) seeks to discuss the contributions that the geospatial approach brings to the history of art. Based on current research and the work with MoDe(s) Database, we will reflect on how to interrogate and analyze the points of contact, transaction or disjunction of the (spatial) history of art.
Against the Canon: Artistic and Historical Narratives on the Two Sides of the Iron Curtain (1960-1990)
The seminar “Against the Canon: Artistic and Historical Narratives on the Two Sides of the Iron Curtain (1960-1990)” (9 July) aims to recover the notion of “canon” as a rationality or way of thinking. This seminar will present projects that revisit experiences rooted on both sides of the Iron Curtain, rehearsing other ways of thinking contemporaneity – its discourses, its practices, its relations, its institutions – but also the experience of working with the MoDe(s) project database, a tool for the exploration of these historiographical alternatives.
Partisan genealogies: counter-visualities since WWII
Basing on a crossed-reading of historical moments, this international workshop aims to reflect on how exhibitions, archives, films, journals and visual productions deal with the partisan imaginary.
Partisan genealogies: counter-visualities since WWII
This international workshop is the second part of Partisan Resistance(s): a tool box for analyzing transnational concepts and images which took place in March virtually due to the Covid-19. Following with our research on the complex role of the oral, written and visual productions as agents for a culture of resistance, this workshop seeks to … Continue reading Partisan genealogies: counter-visualities since WWII
Report – Partisan Resistance(s): a tool box for analyzing transnational concepts and images
The International Workshop “Partisan Resistance(s): a tool box for analyzing transnational concepts and images” sought to deepen the complex role of oral, written and visual productions as elements of a culture of resistance that links the Western world, socialist countries and the Third World.
Partisan Resistance(s): a tool box for analyzing transnational concepts and images
Since the Spanish Civil War the antifascist resistance configured models of struggle and collective organization. After the liberation the battle for freedom of the antifascist movement continued in the following decades as part of the struggles for decolonization, anti-imperialism, civil rights and anti-capitalism, especially in radical left movements, in which similar models of resistance … Continue reading Partisan Resistance(s): a tool box for analyzing transnational concepts and images
International Workshop – Partisan Resistance(s)
This international workshop aims to analyze how the oral, written and visual productions can be considered as elements of a culture of resistance that links the Western world, socialist countries and the Third World.
