This international symposium proposed to revisit this key figure of the post-war French art scene and the intellectual and political contexts of which his career is revealing. It is articulated in four sections (L’action culturelle: débats et pratiques ; Dialogues croisés: art et critique; Pierre Gaudibert: politiques institutionnelles et enjeux curatoriaux y Pierre Gaudibert et l’émergence d’une scène mondialisée de l’art) and aimed to consider the possible avenues that Gaudibert’s work has opened to the link between art and democracy, to a practice that opens up institutions, to a plurality of cultures and artistic practices.
Pierre Gaudibert (1928-2006) left his mark on several cultural institutions. Curator at the Musée d’Art moderne de la Ville de Paris from 1966 to 1972, he founded the Animation-Recherche-Confrontation (A.R.C.) department there in 1967, whose museographic model, unheard of in France, favors direct relations between artists, works and visitors and welcomes the latest in the most experimental artistic research. From 1977 to 1985, Gaudibert directed the Musée de Grenoble and developed its collections, contributed to the creation of the CNAC de Grenoble (the National Center for Cultural Affairs) (the Magasin), and was involved in cultural action throughout the city, organizing, among other things, an African Festival in 1982. Affiliated with the Musée national des arts d’Afrique et d’Océanie (MNAAO) from 1985 to 1994, he contributed to introducing contemporary African art into collections and museum circles in France.
Section 1 : L’action culturelle : débats et pratiques
Section 2 : Dialogues croisés : art et critique
Section 3 : Pierre Gaudibert : politiques institutionnelles enjeux curatoriaux
Section 4:Pierre Gaudibert et l’émergence d’une scène mondialisée de l’art
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