On December 7 and 8, 2021, “Triptych women and stories of struggle in Latin America / From Zapatista Mexico to rebellious Chile: an interpreted history” will take place at the Maison de la Création et de l’Innovation (Université Grenoble Alpes). This research-creation activity, articulated in a performance and a graphic workshop, will delve into the traces and archives of feminist collectives in Latin America.
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Visual spaces as constellation: images and imaginaries of violence in Latin America
The seminar “Visual spaces as constellation: images and imaginaries of violence in Latin America” (26 November) proposes to trace and discuss a critical cartography of the artistic practices and visual artifacts that have dealt with and visualized political violence in Latin America since the second half of the 20th century.
Crossed stories: collecting(s) and cultural institutionalism at the Museo de Bellas Artes de Cuba
The seminar “Crossed stories: collectionism(s) and cultural institutionality at the Museo de Bellas Artes de Cuba” (November 5, 2021) aims to bring together a set of reflections on the past and recent history of the institution and its collections as well as to provide a historical-critical overview of the Cuban visual arts and the Iberian Peninsula.
Challenging the centers: counter-historiographies of abstraction in Puerto Rico.
“Challenging the centers: counter-historiographies of abstraction in Puerto Rico” will take place on 22 October 2021. Based on the curatorial project of the exhibition […]ENTREFORMAS and critical essays (Carla Acevedo, Dialitza Colón Pérez and Nelson Rivera), this workshop proposes to discuss aspects concerning the Puerto Rican historiographic narrative with the intention of critically exploring its discursive margins and limitations.
A neoliberal counter-revolution? Cultural Imaginaries, Political Subjectivities and New World Order (1979 – 2019)
The international conference “A neoliberal counter-revolution? Cultural Imaginaries, Political Subjectivities and New World Order (1979 – 2019)” will take place on 16 and 17 September 2021 at MACBA. Responding to the reflections developed in the framework of the research projects Decentralised Modernitie(s) and Fossil Aesthetics, this international conference asks about the role that cultural imaginaries have played in the shaping of neoliberal subjectivity during the period from 1979 to 2019.
Release of the book – Vanguardia y crítica de arte en la España de Franco by Paula Barreiro López
The book “Vanguardia y crítica de arte en la España de Franco” (La balsa de la Medusa, 2021) by Paula Barreiro López studies art criticism and avant-garde art in the years 1940-1975-76.
Against the Canon: Artistic and Historical Narratives on the Two Sides of the Iron Curtain (1960-1990)
The seminar “Against the Canon: Artistic and Historical Narratives on the Two Sides of the Iron Curtain (1960-1990)” (9 July) aims to recover the notion of “canon” as a rationality or way of thinking. This seminar will present projects that revisit experiences rooted on both sides of the Iron Curtain, rehearsing other ways of thinking contemporaneity – its discourses, its practices, its relations, its institutions – but also the experience of working with the MoDe(s) project database, a tool for the exploration of these historiographical alternatives.
Looking at us head-on: Spain, Portugal and their images
“Looking at us head-on: Spain, Portugal and their images” will take place on June 23 and 25. This seminar is proposed as a dialogue between scholars of politics, anthropology, art, film and visual culture from Spain and Portugal, two states that have had a tense historical relationship, almost parallel dictatorial periods, and have had their backs to each other for far too long.
Archipelago Puerto Rico: [im]possible Abstractions
The 1st Conference on Art, Research and Multidisciplinary Creation entitled “Archipelago Puerto Rico: [im]possible Abstractions” (11 and 12 June) aims to critically explore the contexts that have driven or affected the creation and reception of abstraction, in order to open a space for collective reflection and conversation on new historiographical approaches and new theoretical frameworks.
